themashmess

In this episode, Jeff & Ryan discuss M*A*S*H’s supporting players, with a spotlight on the wonderful Roy Goldman and Dennis Troy. Plus, at long last, you’ll learn the difference between First Assistant Director and Second Assistant Director. We know that’s been keeping you up nights. 

M*A*S*H Notes

M*A*S*H Matters is now on YouTube.

A wonderful article about the career of Alan Alda.

Catching up with Captain Spalding. 

Celebrate the musical side of Gary Burghoff.

Speaking of Gary Burghoff, it’s still not too late to donate to his family’s fire relief fund.

If you like what you hear, please leave a five-star review on Apple Podcasts or write a review on the Facebook page. 

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TRANSCRIPT: MASH Matters #006 – Best Supporting Actors

Attention all personnel. Incoming podcast. This is MASH Matters.

RYAN: And we’re back.

JEFF: We’re back.

RYAN: Yes, we are. Episode six of MASH Matters. Hello, I’m Ryan Patrick.

JEFF: And I’m Jeff Maxwell.

RYAN: Yes, he is. And we are here to talk about all things MASH and maybe a few things that have nothing to do with MASH as well. You never know what we’re gonna get. Sometimes we don’t even know what we’re going to get.

JEFF: Rarely do we know, rarely do we know.

RYAN: [laughs]

JEFF: Which is one of the fun things about this. We have no idea what we’re doing or talking about. So that’s helpful –

BOTH: [laugh]

JEFF: When doing a podcast about a subject that we don’t know anything about. Okay, no, that’s not true. We do know something about it. And so I’m just kidding.

RYAN: So how are you, sir?

JEFF: I’m good.

RYAN: Yeah?

JEFF: I’m very good. And how are you?

RYAN: I’m wonderful. We’re entering the holiday season when we record this. So we’re all in different states of disarray and disorganization, but I’m glad that we have been able to find some time to get together and do this because we still keep getting in more and more emails and comments and Facebook messages. People are, I think, listening and liking what they’re hearing here.

JEFF: I really – don’t you appreciate the heck out of that? I think that’s such a nice thing to get these comments. It really warms the cockles of my heart. Can you say that in a podcast?

RYAN: Yeah, your cockles could use some warming, yes.

JEFF: And they could.

BOTH: [laugh]

JEFF: It’s been years. But seriously, it really is, it’s a warming sensation to have people send and say nice things about us and about the show and about MASH. And I have a question for you, and this is – kind of relates to that.

RYAN: Okay.

JEFF: We’ve been doing this a little while now, we’re on the sixth episode.

RYAN: Mm hmm

JEFF: We started out saying, well, I worked on the show, so I had a little bit different perspective of it than you. You were a fan. I wasn’t necessarily a fan. It was a job. You were a fan. So it was a little bit more emotional to you in that respect.

RYAN: Mm hmm

JEFF: So my question is, has anything that we have said or you’ve heard either the written word or the audio word about people’s responses or people’s thoughts about MASH, has that affected you in any way, shape or form in terms of one way or the other being, hey, I get different perspectives or I still feel as emotional or I feel even more emotional or does that have any effect one way or the other on you? And basically the things that I’ve been saying, which kind of pull the curtain back a little bit and saying, hey, this is the way the trick works. Has that had any impact as well?

RYAN: Absolutely. As a fan of the show, I love hearing behind-the-scenes stories. I like seeing how the sausage is made as long as the sausage in the end is tasty.

JEFF: [laughs] Say that again slowly, would you please?

RYAN: [laughs] Does that warm your cockles? No.

JEFF: Well, that was the show folks. Thanks for tuning in.

RYAN: So far, I have not heard anything that has tarnished MASH in my eyes. You know what I mean? There’s been nothing that’s made me go, oh, so wow, so that’s how it was on the set. Oh my gosh, these people didn’t like each other at all or this guy was a real jerk after all. You know, I’m not hearing any of that. If anything, I’m hearing that MASH was as wonderful a group of people to work with as it was for viewers to watch. And I think for me personally, that has added to the experience of watching the show, knowing that as a family, you did work and gel so well together and respect one another, and that the writers respected one another and the director and the creators and everybody worked together to make this magic happen. It’s actually, for me, it adds to the experience of watching the show. And then to hear some of these behind the scenes stories and get some input of what was happening on the set during certain times of filming certain episodes is fascinating. I mean, we’ve watched the show so many times. The show is never going to change. What is going to change are how we perceive the show and the stories that we can hear from behind the scenes. So it adds to the experience and it’s made me appreciate all that went into putting together the show and make it as wonderful as it was.

JEFF: Well, that was very, very eloquent. That’s a great – that was a great answer. For me, I have actually developed a more of a fandom than I had when we started this. And I think it’s based on our conversations and based on the relationship that we’ve had talking back and forth about MASH. And it also is really been impactful to hear everybody’s emotional connection to the show. I knew people liked it and I knew everybody would – you know, had a fan story about it, perhaps. But the deep emotional connection was – kind of surprised me. So hearing that over and over and over has moved me towards more of a warm and fuzzy kind of feeling like a fan would have watching the show. And I now watch it with a little bit different perspective. It’s not so much, oh yeah, I remember that, and yeah, this happened there, and yeah, the thing fell over. But it’s really about more of what the emotional feeling the show was not only giving off, but I was feeling. So it’s kind of cool. I thank everybody certainly for writing in and asking these questions and saying, and revealing their stories about their personal relationships to the show and their families and so forth and how important that is to them. So it’s quite an education.

RYAN: So to look at this from a – from a holiday’s perspective, the ghost of MASH past has come and softened your Scrooge-like heart. Is that what you’re saying?

JEFF: I think I just did, or you just did actually. No, it’s great. It’s a, it’s a lot of, it’s a lot of fun. So thanks everybody.

RYAN: Now I know that you have been touched by a lot of the messages, because a lot of the messages that do come in, and rightly so, they come in with questions for you, because you are beloved in the MASH universe. So we have received a lot of emails, and messages, and voicemails, and if you have sent us an email with a question or a voicemail, please just be patient. We’re gonna try to get to as many of them as we can in future episodes. Keep them coming because it really is great hearing from all the listeners out there. So–

JEFF: And the ones that have a cheque connected with them usually go to the front of the line. So you might consider that.

RYAN: [laughs] Alright. So the first one that we want to talk about, this one came in from a gentleman named Matthew Thomas. Matthew sent us an email and said, “First off, I love this podcast. Thank you for doing this just for me and the other people, I guess. They’re good eggs. I got into MASH as a kid, like so many people, but I was born about a year after the show ended, so I didn’t get to experience it in real time. My parents would watch two or three episodes every Friday and Saturday night on our local CBS channel, even after they divorced. So I have been exposed to this show since I can remember. I ended up buying every DVD set as soon as they were released, eventually getting my wife hooked, who hated it at first. Still not sure if it was genuine or if she just caved to the show. Sadly, those DVDs came down with an affliction called my lovely children, who destroyed them as lovely children do. Thanks to streaming, I don’t have that problem now and I still watch the series at least once a year. This show has had a significant impact on my life, be it through humor or just the experiences. At different stages of my life, different episodes have taken on more significance or different meanings, something I never expected.” He goes on to say, “I know this is long, but I do have some questions for Jeff.”

JEFF: Yes, sir. I’m here to answer those questions, hopefully. Thank you for asking.

RYAN: He asks, “was life as a supporting character on the set separated from the main cast or was it more close? For instance, did you, Kellye Nakahara, Odessa Cleveland, G.W. Bailey and others have a closer relationship than with the main cast? If so, what was that like?” So that’s his question. What was it like, Jeff? Life as a supporting player on MASH?

JEFF: I’m exhausted from that. I’m not sure I can answer that. Gee whiz

RYAN: Let’s all take a break. We’re gonna take a nap.

JEFF: Oh yeah. Okay, we’re gonna–

BOTH: [laugh]

JEFF:. What was the question again?

RYAN: I don’t know, I’ve forgotten it

JEFF: I don’t know. I forgot. Yeah, okay. So the original cast, which started out the show, there were a group of actors and they went the entire run of the show. Some of them dropped out, some of them died, some of whatever. But they were the core group of actors that created the show.

RYAN: Mm hmm.

JEFF: Because they did that, they have a very significant bond because they were there from the beginning and they were there every day and they did what they did and they created this great iconic show we all love. So yes, they have a very strong strain of friendship that not everybody had with them.

RYAN: Mm hmm.

JEFF: It would be impossible for them not to have that. So, yeah, there was always a tighter bond between them than there was necessarily between me and them.

RYAN: Mm hmm.

JEFF: However, having said that, because I was there for so many years, certainly I was accepted and embraced by everybody who was there as well as anybody could. But there was always certainly a bond between the original characters that were – that created the show that nobody can deny, nobody wants to take anything away from.

RYAN: Mm hmm.

JEFF: That didn’t manifest itself really in any kind of way. Nobody was arrogant. Nobody was nasty. Nobody was patronizing. Everybody was friendly and we were all a family, with the exception of the fact that that specific bond between those definite people are there. So the relationship between myself and Kellye and G.W. Bailey, all of those were deep friendships. So at the time on the set, we all loved each other. It was a bond, it was the second bond. The first – those very significant people had theirs, which they should and they have a right to have. And then the second one was kind of the bond between them and everybody else, which was equally as embracing and equally as friendly, just not quite as, you know, deep.

RYAN: Do you still stay in touch with a lot of the supporting cast?

JEFF: Well, first of all, I’m very in touch with all of the cast. We email each other, we get little bulletins, somebody says, you know, sends an email stating that something is great that happened to somebody or some great experience or some political joke or something that goes around all of the MASH people. And so, we all communicate that way, and that’s a lot of fun. I still speak with Kellye quite a bit, and she’s going through what she’s going through. We all wish her well and send her our love because she’s going through some serious treatments and we hope she’s going to come out the other side very, very healthy. G.W. Bailey and I have not spoken in a long time, not because he’s not a great guy. We just have different, you know, patterns, different lives. And so we have not spoken to each other, but he’s a terrific guy. Couple of people unfortunately have passed away. Odessa Cleveland, I didn’t know very well anyway, so she probably doesn’t even know I exist or care [laughs] She’s a very nice person. I don’t know what she’s doing. It’s been years and years and years and years so I couldn’t tell you anything about her. But not because she’s not a great person, it’s just we haven’t maintained a friendship for whatever reason.

RYAN: Sure

JEFF: But there was never ever a – Here’s the one hierarchy that I kind of resented. There was a term used and I think it was coined by Gene Reynolds, but it was called the “mini MASH crew”. And what that was, was a suggestion that all of the extras and the people around them, maybe some of the stand-ins or whatever, were the “mini MASH crew”. So when there was a delineation between the cast and the “mini MASH crew”, that meant that the “mini MASH crew” had to go off and do various things in the background or do whatever it is the scene called for. I never liked that term [laugh]. I thought it was kind of unkind, and probably it was created with no unkindness connected to it at all. But I always thought it was a little tiny bit, kind of, yeah, why do you call these wonderful people the “mini MASH”? I didn’t like it. Probably nobody else cared, just my own personal taste. Maybe nobody even, you know, had a second thought about it. But after all these years, this is the first time I’m saying this out loud –

RYAN: Exclusive, exclusive.

JEFF: [imitating telegraph sound effect] I just didn’t dig it.

RYAN: What would you prefer?

JEFF: [laughs]

RYAN: Moving forward, I refer to you guys as the supporting players because I felt like you were always there. You were part of the series. The series would not have been as good without the supporting players, you know, without Igor and without Roy Goldman and without Rizzo. And, you know, with all these characters, it wouldn’t have been as good as it was. So, is supporting player an appropriate term or is there some other term in the business that you guys were referred to as?

JEFF: I don’t know of another term. It may have just been, hey, you know, maybe they could have used people’s names rather than – But there were a lot of people there. And when you’re on a time schedule and it’s a lot of money to keep a show like that running. So you don’t want to say, and “Bill and Fred and Janie and Phil, would you please come over here?” So it was easier for them to say, “mini MASH” over here.

RYAN: Right.

JEFF: I guess. I guess that was the reason for it. But at the same time, yeah, supporting players, sure. You know, I guess it was just a product of time and management rather than anything else. I hope so, because there wasn’t – there was never an emotional feeling from anybody that anybody was less important than anybody else. So that’s good. It was just that term that kind of bugged me, but I’ll get over it. Next 20 years, I won’t think about it.

RYAN: [laughs] Now you mentioned that a few had passed on, and I know that one of those few who have passed on was Roy Goldman.

JEFF: Yes.

RYAN: And Roy was a fixture on MASH, as far as I’m concerned. If people who are listening right now aren’t necessarily sure who Roy Goldman is. Just go Google Roy Goldman MASH and you’ll see him. You’ll go, oh, yeah, him. Gosh, he was in this episode, in this episode. And he did this and he did that. Tell me a little bit about Roy. What was Roy like?

JEFF: Well, Roy Goldman was one of the funniest human beings on the planet. He was like Mel Brooks funny

RYAN: Really

JEFF: Very improvisational, extremely funny. He was from Brooklyn, New York. He was just drop-dead funny.

RYAN: Hmm

JEFF: And he was with Gene Reynolds, Gene Reynolds brought he and Dennis Troy from Hogan’s Heroes because they were working on Hogan’s Heroes as extras and stand-ins. And Gene Reynolds loved them both and brought them – asked them to be associated with MASH when MASH started. So they were with the show from day one to the last day. Both of them. Two very, very different guys. Roy was great, incredibly funny, very bright, loved women. [laughs] He was married. Great – very, you know, he was good, but he just loved and adored women. He – he used to talk about it. And it was very funny to hear him talk about that. He was a liberal kind of guy. Dennis Troy – Now, Dennis and Roy were stand ins on Hogan’s Heroes, and they became stand ins on MASH. So Roy was Gary Burghoff’s stand in. He would also stand in for other people as well, people that came in and out of the show. But he was very kind of related to being Gary Burghoff’s stand in. Dennis was Wayne Rogers’ stand in. And they had known each other for years on Hogan’s Heroes, and now they, you know, were on MASH. Dennis and Roy couldn’t have been more different. Dennis was very conservative and Roy was quite liberal. So they would argue constantly about everything with those two positions.

RYAN: [laughs]

JEFF: And I tell you, there were some of the funniest arguments I’ve ever heard in my life, because Roy was extremely funny and Dennis was extremely defensive and would get totally frustrated. And watching them do this was just hysterically funny. And they’d have serious discussions. They weren’t just cute little arguments. They would go at it. But at the end of the day, they loved each other. And they did all of their serious conversations with humor. And it was a kind of a lesson on how to argue with somebody, how to have a disagreement, but come out on the other side friends. And they did. And they did that for the 11 years that they were connected with MASH.

RYAN: Oh, if only people could do that now.

JEFF: Oh, please.

RYAN: Yeah.

JEFF: And I love them both. I love them both dearly. They were wonderful people. And Roy, he would – if he had a line, you know, he said, “yes, doctor” or whatever it was, he would get so nervous. His hands would tremble literally before he would do, he’d just, he’d come to me, “I don’t know what to do. I’m so scared. I don’t know what to do. What am I gonna do?” I said, Roy, just say yes, doctor. “I don’t know, I can’t say yes, doctor. I don’t know what to do” And you know, his hand literally was shaking, but he’d go out and he’d do it. And then he’d sit like for a couple of minutes afterwards because he was exhausted from going through that. Had he not been so nervous, he would have probably been a very, very famous guy, because he was truly naturally gifted funny.

RYAN: I love the fact that in the finale, the scene in the mess tent when everybody’s getting together for one big last party and you go around and every character says what they’re going to do when they get back home. I love that the writers included the supporting characters in that so that Igor got to say what he was going to do. And then you also heard from Dennis Troy, he said something and Roy Goldman got to say something. So it was neat to see them include characters like Roy and Dennis in that as well.

JEFF: It was, it was a very nice thing that they did. And quite frankly, I have to say about Dennis and Roy again. Without them, I would not be here. I would not have been part of the show. Because when I started doing the show, I started as an extra and the first day was out at the ranch and I hated it and I didn’t want to do it. And I came back for a couple of weird reasons, but I really had no interest in being there. I didn’t like standing out freezing in the morning and being miserably hot in the afternoon at the ranch. I didn’t know anybody. I didn’t know who Alan Alda was. I didn’t care. I wanted to go home. And I came from nightclubs as being a comic. I just – that’s all I kind of wanted to think about. So because I stayed there, because I couldn’t help but kind of goof around with everybody after I got a little bit more used to being there, I became close with Roy and because he was such a funny guy and we’d enjoy each other’s humor a lot. And then Dennis was a terrific guy and they were stand-ins. They were specifically stand-ins. I was not a stand-in. But the stand-in, Alan Alda’s stand-in, his name I don’t remember, he started to have a problem. He would fall asleep during the standing-in part. And the camera crew doesn’t like that when you’re standing there and you fall over. They are not, not fond of that at all. So Roy and Dennis decided to recommend me and get the people to be aware that they wanted me to be their third stand-in guy, and Alan’s stand-in. And so they came to me and said, hey, we’d like you to do this. You want to do this? I went, sure. Okay. Yeah. What do I do? And I did.

RYAN: Yeah.

JEFF: And I learned a lot more about the whole world of show business by doing that. But had they not done that, I would have been gone. I would not have lasted and I would have been off into other things. Maybe I – who knows, I don’t know what would have happened, but I would not have been part of MASH any longer. So I owe it to them and I thank them very, very much for doing that because when I started doing that, I became sort of hooked and attached to everybody and didn’t want to leave and was learning so much and being around so many talented people that I was very grateful and still am for that opportunity. Later on, when Igor began to emerge as kind of a secondary kind of a character, and after a couple of years of doing that, I actually resigned from being Alan Alda’s stand-in and just was brought in and out as the actor Igor

RYAN: Ah

JEFF: Which was kind of neat for me and kind of neat that MASH would do that. But without, again, without Roy and Dennis doing that, we would not be having this podcast, at least with me. You would be on it, but I would not.

BOTH: [laugh]

RYAN: Well, I have another question for you then that relates to the supporting players. Every episode had a different director. Now there were obviously some directors that did multiple episodes, but you didn’t have one director for the duration of the show. So I’m curious as far as the supporting characters, their interaction with the director, how much interaction did you have with the director? Or was there an assistant director that was helping the supporting players and beyond that, even the extras who are always in the background doing various things. How did that work?

JEFF: Well, I’ll go to director. A director on MASH usually – and directors that are directing these kinds of shows like MASH and shows that have been up and running for a while and have become very developed, the characters are developed, the ideas, the stories are developed, the sets are developed, everybody pretty much knows what you’re going to see. And those directors turn out to be kind of – and they don’t like having this term, but they’re kind of traffic cops. You got the MASH, the mess tent, you got the, you know, the OR, you know those various sets. And there’s only so many ways you’re going to deal with them photographically and emotionally. So the directors don’t necessarily do a lot of work in terms of dealing with the actors. Probably nobody went to Alan and said, “Alan, the next time you do this, give it a little bit more pizzazz. okay, buddy?”

RYAN: [laughs]

JEFF: You’re not going to do that [laughs] to Alan Alda. He’s going to say, “Alan, the next time you reach for the thing, could you just do it with this hand instead of that?” Oh, yeah.

RYAN: Right.

JEFF: But you know, it’s not like, you know, Scorsese talking to De Niro or something. There’s not a lot of stuff like that.

RYAN: No need to reinvent the wheel.

JEFF: Not at all. Everybody pretty much knows what they’re talking about. And that’s basically with all the supporting characters. Now, there may be a little more to a supporting character because they’re not necessarily as wired in to the normal traffic of that show. So they may lean on a supporting character a little bit. “Well, can you do this a little bit more this time? Can you give me a little bit emotional thing?” They may do that or not, depending on the scene and depending on what’s going on. What happens is… You’ve got the director, you have the first assistant director and the second assistant director. You also have a third assistant director, fourth assistant director and a schleb, who does nothing but carry the food for the fourth and the third and the second and everybody else

RYAN: Was “schleb” his actual title on the end credits?

JEFF: Schleb, yes, it’s a directorial title. There’s a certain pay scale for “schleb”.

BOTH: [laugh]

JEFF: It’s not a lot, but there is some kind of pay. So, on MASH, we had a first assistant and a second assistant. That was it. There were no schlebs. [laughs] So the first assistant on any television show, or movie for that matter, is basically there to work very closely with the director. They help navigate the scheduling of the shots. The director says “well, I want to do 10 shots today” and they work in scheduling those shots, when they’re going to do it, where they’re going to do it, what the set is. It’s their job also to solve a problem. Let’s say they’re going to shoot a scene with a pig in it. And unfortunately, the pig dies. What are we going to do? So the first assistant is really going to worry about getting a new pig because that’s what his job is. So he’s got to solve the problems, whatever that problem is. It’s a very important job. It’s a very hard job and it’s a very focused job. They really gotta be on the set. They also are the guys who say “quiet on the set! Roll sound! Roll camera!” They say that. The director says “action” and “cut”. But the assistant director, first assistant director says the other stuff. They are really kind of in charge. They run the show. If the director’s kind of dilly-dallying, a first assistant will go, “you know, it’s close to 5:30, sir. Can we kind of move things along, please?” They will do that. That’s kind of their job. Keep the show moving.

A second assistant director has a little bit different thing. They will work with the first assistant director too in working out scheduling. But a big part of the second assistant director’s position is navigating and managing the extras and the background artists. So all the guys and girls that you see walking around the camp, that ballet was designed by the second assistant director who will say, you know, you guys go across the thing, you go to the tent and you go to the mess tent and you go to the OR. And so that’s how you see people crossing in front of the camera, walking behind or doing and going into tents or whatever you see. That was designed by the second assistant director. They will also do something whereby, let’s say there is a – somebody says “corpsman, bring me the stretcher”. So that corpsman is singled out. And that in – now this could be changed. This was a hundred million years ago that we did this. So I don’t – forgive me, directors guild and screen actors guild if I’m saying the wrong thing now. But back then, if that scene was done and a corpsman was singled out, that corpsman would receive a pay bump. Instead of just being an extra that day, he would be in line to receive what’s called a silent bit. So he had a featured moment with an actor, but he didn’t talk. So he would get the pay scale of a silent bit, which was a good bump. I mean, everybody will love to get a silent bit, whatever you’re doing. It was a significant amount of money back then. If, at that point, that corpsman was required to say, “yes, sir”, then he would be bumped up to the Screen Actors Guild day player rate, which everybody loved. That was a pretty significant bump. But that kinda was all under the purview of the second assistant director. He kind of knew the group. He knew the people that he was dealing with. There was a family of extras that were used over and over and over and over and over just to keep the consistency of the camp looking correct, as well as the fact that they knew people who were gonna work. They got the show, they got what they were doing, they were friendly, and so they knew who was gonna do what. So they also knew some of the skills and – am I talking too much? Is this – is this on? Hello? Testing one, two.

RYAN: No, I find it all fascinating.

JEFF: I will stop talking in a couple of days. So then, when I was 11 [laughs]

RYAN: [laughs] We’ll be back with part two right after this.

JEFF: Is anybody still awake? Are we at – are we in episode eight yet?

RYAN: Yeah, I think so. Yes.

JEFF: Okay, so they know who they’re working with and they’re able to kind of create the vision that the scene needs with those background players. So they’re very important. When I first started, it was a guy named George Bachelor. Nasty guy

BOTH: [laugh]

JEFF: George had an edge. He retired, I think. And then a second guy came on, and his name was Leonard Smith. I adored Leonard Smith. Friendly, warm and fuzzy, funny, great personality. He had more of a relationship with people who were creative and were trying to do something. He had a little bit more relationship with the actor process. He wasn’t just kind of a traffic cop technician. He was there and he had a creative feel to him. So he really worked hard to try and design these little moments and tableaus that we see. So he would kind of handpick people to put in places. He handpicked me in that scene where I shot the cannon.

RYAN: Haha at Radar

JEFF: He said, come over here. And he said “can you make a funny face?” “I don’t know, maybe?” And that was it.

RYAN: That is one of a lot of MASH fans’ favorite scenes of yours.

JEFF: Thank you very much. And one of mine. It was one of the most fun things in the world to do. Gary and I loved doing it, and everybody laughed. And the day after that was done, I was coming back from lunch, and all of the people who had seen that scene in dailies grabbed me and said, “that was the funniest thing we’ve seen since the show started”. So you can imagine how I felt. I mean, I was 16 inches off the ground walking back from that lunch.

RYAN: That is so cool.

JEFF: So anyway, I babbled on there for so that’s kind of what first assistant director to second assistant directors do. So my hat’s off to all those guys. They work very hard and they did a great job.

RYAN: And to bring all of this full circle, whenever somebody asked for a corpsman, nine times out of 10, it was Roy Goldman.

BOTH: [laugh]

JEFF: Yeah. Yeah, well Dennis and Roy and that was based on the fact that they were very beloved people, you know, with Gene Reynolds. Gene Reynolds brought them from Hogan’s Heroes. He adored them. They were friends for 100 million years. Was there a little favoritism? Yeah, sure, probably. Did they get a little bit more corpsman roles or bump ups to SAG pay scales? Probably because they were there a lot. They worked very, very hard. Their whole lives really were kind of geared around that show. They did work on other shows too, but boy they spent a lot of time and a lot of years. And so yeah, I think they got a little bit more things than some of the other people may have.

RYAN: Understandable.

JEFF: Understandable.

RYAN: Well, thank you to Matthew Thomas for writing in and sharing his story and asking that question. He does add, by the way, at the end, he’s still upset that they never made an Igor action figure.

JEFF: [laughs] That would be – wouldn’t that be somebody that would slop food on a tray that would be good.

RYAN: Exactly

JEFF: You know we could talk about that. Oh, let’s – we could call Fox and say hey we got an idea

RYAN: Yeah, yeah, maybe we could crowdsource it, you know, get one of those kickstarters or something. The Igor action figure comes with like creamed weenies and –

JEFF: I like it. Well, thank you. Matthew, right?

RYAN: Yes.

JEFF: Thank you, Matt. That’s a great idea. We’re cutting you out though. You’re gone, Matthew. Hey, get used to showbiz. All right.

RYAN: Well, hey, if you would like to ask us a question, you can do that several different ways. The best way is to just go to our website, mashmatterspodcast.com and email us through the website. You can also hit us up on Facebook and Twitter. And you can call and leave a voicemail: 513-436-4077. You can find that phone number on the website as well. We still have a lot of other questions to get to. We don’t have time to do it in this episode, so we’ll do it in future episodes. But hey, we’ve heard from people here in the States. We’ve heard from New Zealand. We’ve heard from Australia.

JEFF: Oh, Australia.

RYAN: Yes.

JEFF: I have a quick story about Australia.

RYAN: Okay.

JEFF: I’m in Australia many years ago, and I was swimming around in the ocean. And two little boys kind of swam up to me and they were swimming around. We were swimming around together and they said, [high-pitched voice] “Hello, hello” And I said, “Hello. Hi” And they said, [high-pitched voice in what sounds like a British accent] “Oh, excuse me”. Yeah. And this is a terrible Australian accent. I apologize to all the Australians listening.

[BOTH: [laugh]

JEFF: I’m so sorry. And it’s so bad.

RYAN: Got more of a British accent, really. But –

JEFF: It’s got a British – Yeah, it’s a tough thing. I’m sorry. I’m not going to even do it. So they said, “well, you’re – we know who you are”. And I’m swimming in the ocean in Australia. And I’m kind of looking at these two kids and I went, “oh, okay, oh, who am I?” [high-pitched voice] “You’re Igor.” And I’m telling you, I almost drowned. I looked at them and I thought, well, maybe somebody I know is playing a joke on me. There was no joke. I didn’t realize it. But MASH was so popular in Australia that when I was there, that these two little kids recognized me in the ocean in Australia. And they took me back. They said, “come and meet our parents”. So we went and I met their parents and he was in the advertising business and his wife was something and we were talking and they were great people. And I said, “how did your kids know who – I’m in the ocean!” They said, “well, they watch the show a lot. They love it”.

RYAN: Wow.

JEFF: So hello, Australia. And I apologize for that accent.

RYAN: So when we get the MASH Matters World Tour rolling, Australia will definitely have to be on the itinerary.

JEFF: And we’re gonna do it. We’re gonna do an episode floating in the ocean, just for fun. See if anybody recognizes us.

RYAN: Two guys floating in the ocean, waiting for somebody to recognize them. Okay. Sounds like a fascinating concept for a show.

JEFF: You’ll see it on Netflix, and very soon.

RYAN: All right, well that does it for episode six. This has been awesome. One – two things. One, we had a message from Caitlin King. She wrote in saying, just wondering if you guys were thinking about eventually making your podcast available on YouTube. And the answer is yes, and we have. So to me, I’m shocked at how many people actually go to YouTube and listen to podcasts, but they do. So we’ve made that available. You can search for MASH Matters and you can listen to the podcast on YouTube. Also, we had a few more people send in suggested names for MASH fans. Actually, a few people sent in the same name and that’s MASH-aholics. So, so far we have MASH-kateers and MASH-aholics as the two suggested names for MASH fans. If you have a name to suggest, please let us know what that name is. Maybe we’ll do a poll or something down the road and settle this once and for all.

JEFF: Yeah. You know, MASH-aholics is, you know, pretty much kind of I get that. But I adore MASH-kateers and I really truly would like us to do that just to see and I’ve said this before, but see how long the Disney attorneys take before they squash us.

RYAN: [laughs]

JEFF: Like bugs [laughs]

RYAN: Well, if we’re not back for episode seven, you’ll know why. Until next time, MASH-keteers-aholics.

BOTH: [laugh]

RYAN: Thanks so much for listening.

Transcripts by Checkmate Editing Services

The California wildfires are nearly 100 percent contained, but the recovery and rebuilding efforts are just beginning. Gary Burghoff and his family have created a GoFundMe account to aid those affected by the devastating Camp Fire in northern California.

Please click on the link below and give any amount you can. No donation is too small.

https://www.gofundme.com/puc9z-camp-fire-relief

C’mon, MASH fans… let’s show our love to the communities that mean so much to the Burghoff family.

 

Jeff & Ryan open Radar’s mailbag and answer (to the best of their abilities) listeners’ intriguing questions. Did the food served in the mess tent really taste disgusting? Was the laugh track written in to the script? What the heck is Ryan’s dog barking at? Listen to find out the answers to these and many more burning questions.

 

M*A*S*H Notes:

RIP M*A*S*H casting director Eddie Foy III.

Rotten Tomatoes’ conducted a survey of readers’ favorite all-time TV comedies … and M*A*S*H made the list (obviously).

Our thoughts and prayers go out to those affected by the California wildfires.

 

Review MASH Matters

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Visit the MASH Matters website

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Email questions, comments, show ideas, and more to MashMattersPodcast@gmail.com

Call and leave a voicemail at 513-436-4077

 

Subscribe to MASH Matters on Apple Podcasts and Google Podcasts.

 

---

TRANSCRIPT: MASH Matters #005 – You Asked For It!

Attention all personnel, incoming podcast. This is MASH Matters.

RYAN: Hey, we’re back. Episode five.

JEFF: Episode five, can you believe it? How long ago did we start this? What was it – 15 minutes ago?

RYAN: Yeah, at least five episodes ago.

JEFF: Hey, we got to episode five and we didn’t know when we started this how many episodes we would do and now we’re up to episode five. That’s amazing. I mean, that’s really fun.

RYAN: I mean, some Hollywood relationships barely get out of episode one, let alone getting to episode five, you know?

[phone ringing]

JEFF: That’s true. And some of my Hollywood relationships are calling me right now. Wait a minute…

BOTH: [laugh]

JEFF: There they are. Okay. We’re back.

RYAN: So, uh..

JEFF: This is a high class, expensive show, folks.

RYAN: Hey, we are going to run through a bunch of questions that have come in over the last several weeks from people who apparently are listening to this podcast, believe it or not. We’ve had a lot of people that have sent us emails, who have gone onto our Facebook page and sent us private messages or put questions right there on the page. And we even have a couple of voicemails that we’re going to be playing and those questions we’ll be answering as well. So… We have a lot to do here. In the words of Jerry Reed, we have a long way to go and a short time to get there. So, uh, Jeff, are you ready to dive into these?

JEFF: I am ready, Ryan Patrick. Let’s go.

RYAN: All right, Jeff Maxwell. Uh, this is an email that came in from Steve Bennett and there’s not really a question here, but it’s a really cool story. He said, “thanks for creating this podcast and giving fans an opportunity to contribute. My mom loved MASH from day one. We had a TV in the house, so as kids, we either watched what she wanted or didn’t watch TV at all. MASH was always –”

JEFF: Well, he should have called, I’m sorry. He should have called Child Protective Services and worked that out.

RYAN: [laughs] “MASH was always interesting to me since I had aspirations to be a doctor when I was young. I would watch from time to time, but not until the party episode did I become an avid fan until 1979. I delivered the Southbridge News in my hometown neighborhood. And one of my customers was Doctor and Mrs. Monroe. I rarely saw Doctor Monroe, but Mrs. Monroe was a very nice lady.”

JEFF: Oh really? How nice was Mrs. Monroe? Steve? Let’s get to the truth, Steve.

RYAN: [laughs] “Before the party episode aired on March 2, 1979, there was an article in the Southbridge News about Dr. Monroe. He had been a MASH surgeon in Korea and submitted his own story to the writers about his unit setting up a reunion of families. The writers loved the story and created this episode and even gave Dr. Monroe a shout out.”

JEFF: No cheque [laughs]

RYAN: [laughs] Not a cheque. A shout out. Yes.

JEFF: No cheque, Dr. Monroe. Sit down, doctor. You’re not getting a cheque. Say your name, maybe.

RYAN: Radar comes into post-op when they all returned from their bug out location to tell BJ has spinal injury patient that was going to be fine.

[Audio from the show]

RADAR: Sir, the 121st EVAC just called and Dr. Monroe up there just operated on your spinal patient.

BJ: Is he all right?

RADAR: He’s better than all right. He’s terrific. Dr. Monroe says in a couple of months, he ought to be able to feel the fuzz on a picture of a peach.

BJ: Yeah!

JEFF: Whoa.

RYAN: I only had one opportunity to speak to Dr. Monroe after that, and the conversation was very brief. I can’t even recall him even telling me anymore than I had already read in the paper.

JEFF: It was probably in court, really, with his wife. Maybe not.

RYAN: [laughs] “Since that episode, I have been an avid fan and continue to watch at least one or two episodes per day before bed. Thanks again for the opportunity to share my story and my love for MASH. I wish you great success with the podcast and looking forward to following along.” Thank you, Steve Bennett, for that lovely, lovely story.

JEFF: Really nice, Steve. Thank you very much. And please write the truth the next time, all about you and Mrs. Monroe. And if you have any pictures, send those as well.

RYAN: That’s so cool to have – you know, imagine when you’re a kid and you’re delivering the paper and somebody on your route was mentioned in an episode of MASH. I mean, that’s gotta be really, really cool. And I’m just curious if anybody else out there has any kind of personal connection to somebody on the show or maybe somebody that inspired one of the storylines from the show. We’d love to hear that story as well from you.

JEFF: Really cool, yeah, that would be a really cool thing to have a relationship like that with a real person that had a touch of the show. That’d be really cool. And that’s, it’s a great story, Steve. I had some fun with it, but it really is a cool story. Let’s see, who else do we have? Well here’s one from Mr. Joe Swank. Well I assume it’s Mister. It could not be. It might not be a Mister. It could be Mrs. Joe Swank.

RYAN: It is Mr. Joe. I know Joe. Joe is a good guy. It is Mr. Joe Swank, yes.

JEFF: Well he says, “Hi Ryan, just listened to the first episode and I’m already intrigued and interested. I have subscribed. I don’t normally do that.” Wow, well that’s cool. “I’ll throw a question in that I have always wondered about. Hawkeye had a penchant for Groucho lines and Groucho-esque delivery. Was that the product of a writer who was a Groucho fan or was that actually Alan Alda who was the Groucho fan and stuck those in of his own volition? Looking forward to the next episode. Great job both of you.” Hey, Joe, thank you very much. Okay, do you know the answer to this?

RYAN: No, I have no clue. I can only assume that Alan Alda was a big Groucho fan, but I actually did a little bit of research. I jumped online and see if I could find any interview from Alan Alda where he talked maybe about being a fan of Groucho, but I couldn’t find anything. So I don’t have an answer for this question. Do you have an answer?

JEFF: No. As we discussed earlier, I have a guess. I don’t have – I really can’t say I absolutely know why this happened. Certainly this was many years ago and I wasn’t there when it was all happening at that point. But my guess is that Larry Gelbart was a huge fan of Groucho and the entire Groucho era and I suspect that Alan Alda was as well. So my guess is when they got together and they were talking about the scripts, it was probably a sort of a natural evolution of conversation and of comedic timing. Alan Alda is a master at comedic timing and Larry Gelbart is the guru of comedic timing. So between the two of them and their appreciation of Groucho Marx and that whole rhythm and what they did, I suspect that that’s why it crept into the delivery. I know it kind of subsided as years went on, but because it was a young show and they were kind of finding their way, it was probably a safe way to get into the dialogue and to move it along and to find the rhythm of the characters as well. So that would be my guess, but I don’t know. So when we have Alan Alda on, whenever we do

RYAN: Episode 84 I think is when we’re scheduling to having him on.

JEFF: Yeah, we’ll ask him that. So, you know, and see whether or not I’m, I’m even close because I don’t know, but it, but it would be interesting to find out. But I think there’s, there’s probably some truth to something I said in there somewhere in terms of why that happened so… but it was a good question. Cause I thought that too. I wondered why too.

RYAN: So this next question comes from Tina Marie Krasner. She’s sent us a couple of questions via Facebook. And this is a question I’m gonna guess, Jeff, has to be at least in the top three questions that you get a lot from MASH fans. And that question is, all that food you served, was it really that horrible?

JEFF: Well, who said it was horrible, for gosh sakes? Gee whiz, me? I served horrible food? Uh, the truth is, and I have been asked this question a lot, the reality is that all of the food that was on the show the entire run of my nine years with the show always came from the 20th Century Fox commissary which happened to be a really, really good restaurant. So all of the mashed potatoes and the bacon and whatever it was came from the Fox commissary. Now once it got to the set, the prop guys occasionally would take things and add water and some oatmeal and kind of mush things around a little bit so it looked a little squishy and it gave you something to go, ugh, that doesn’t look very good. So there was some work done to the food to kind of make it look funky. But the reality is once they said cut and the scene was cut and we were going to do another setup or whatever, we would nibble on that food. [laughs] So it wasn’t bad. We liked the bacon a lot and we used to throw bacon across the set just for fun at each other. But so the answer, no, the food wasn’t really bad. It was supposed to look bad and the truth of the army food is the truth of the army food. They did use powdered milk and it wasn’t so delicious. So that was the joke that had to be focused on. But the food that we actually served on the show was really good.

RYAN: Okay, well there you have it.

JEFF: There you have it. Who asked that question? Oh, Tina Marie.

RYAN: Tina Marie asked that one. Our next question comes from Grace Ann McLeod. Actually, this question was also asked by another person. John Hunt also asked this question. Grace Ann, she sent us an email and said, “Dear Jeff and Ryan, I’m so glad this podcast was recommended to me. I’m loving it and learning a lot. I too grew up watching MASH with my mom, but for a long time now, it’s been my pastime. The world gets unpredictable and frightening, but I can tune it out for 23 minutes at a time by welcoming dear characters into my living room.”

JEFF: Aww

RYAN: “I may know all the lines by heart, but that doesn’t mean I don’t want to hear them again and again and again”. That’s really sweet. That’s nice. So here’s the question she has, and again, John Hunt also asked this question. “In the season six opener, Fade Out, Fade In, you have a scene with David Ogden Stiers, but Johnny Haymer is dubbing your voice. Every time I see the episode, I wonder why that is. Did you have laryngitis? Thanks for all you do. Grace Ann McLeod.” And by the way, Grace Ann used to live in Milwaukee, Wisconsin. Now lives in London, England. So our first international listener that we know of.

JEFF: Wow

RYAN: Thank you, Grace Ann for contacting us. And also thanks to John Hunt for sending in that same question. So what do you have to say about this question?

JEFF: [in low voice] Well, I don’t know. Let me think about it. I’m not sure what actually happened to my voice at that point. I don’t know. [clears throat, continues in regular voice] Well, here’s the truth. It’s an interesting answer, but I’m not prepared to answer it quite yet.

RYAN: Okay.

JEFF: I would like to answer it and I can’t tell you exactly the number of the podcast I’ll answer it in because I kind of have to think about it. I’m not trying to be cagey or mysterious. It was an important moment for me and why that happened was a significant moment in my life and it has certain relevance to various people who were on the set. And so I’d really like to answer the question because there are two people who have asked it and I want to be honest about it and I will. I just – you just have to give me a couple of weeks and I will answer the question. So you have to listen to the podcast every single episode and I will answer it. Is that fair? Is that fair, Ryan? I don’t know. Is that good?

RYAN: Jeff, have you ever considered a career in politics? Cause you’re really good at answering questions without answers. That was amazing.

JEFF: [laughs] Thank you.

RYAN: I am really impressed by that.

JEFF: I appreciate that very much. I thank you very much.

RYAN: No, I completely understand. This is a big tease now because, you know, everybody’s going to be hotly anticipating the answer to this question. Maybe I’ll just check in with you every now and then on future episodes and say, are you ready to answer it yet?

JEFF: Yeah

RYAN: And you say yes or no, and then we move on.

JEFF: And the reason is there are other people involved that kind of led to that moment. And so I have to kind of figure out how to navigate and what I will feel about those other people when I discuss this. And you know, our podcast is growing in popularity and we want that to continue. And so I want to be very fair to everybody before I say anything that somebody might not like.

RYAN: Sure

JEFF: And I want to be fair to anyone, everyone listening to the podcast because there is some truth to it and it is an interesting story. And I want to tell it, I really do want to tell it’s important to me to eventually tell that story. So stay tuned and I will. So thank you very much for your tolerance and your patience Of course, and I’m going to throw my hat into the presidency of the United States of America. Why not?

RYAN: Hey, everybody else is doing it.

JEFF: Oh, well, we’re not political. We’re not getting political on this show.

RYAN: No we’re not, we’re not

JEFF: I’m not gonna say anything bad about anybody.

RYAN: Our next question is one of several questions that have come in from Lisa Fetsco. Lisa’s one of our faithful listeners. Thank you, Lisa. Then this is really kind of an interesting question. I had never really thought about this, she watches the DVDs and one of the great things about the DVDs of the series MASH is that you can turn off the laugh track

JEFF: Mmm hmm

RYAN: And it’s – it’s fascinating to watch the show without a laugh track. It’s a completely different show without the laugh track. But her question is, with the laugh track off, the pacing of the dialogue seems slower. She says, “like I could tell where the laugh track would eventually be, were these pauses written into the script? The lines weren’t getting stepped on by the laugh track, I don’t think. Just wondering how that was all timed so perfectly.”

JEFF: Good question.

RYAN: Yeah.

JEFF: Lisa, no. None of the scripts nor any of the performances were ever motivated by the laugh track concept. In fact, the producers tried forever to get the laugh track taken out of MASH. There’s only one place in it that the – everybody agreed that the laugh track could go and that was when they were in the OR. But every other scene or every other location, the laugh track was there. But nobody ever said, oh gosh, we got to hold this line or, you know, take a pause here because of a laugh track that would have really ruined the rhythm of the script and the actor’s timing. So not, I think it’s just kind of a thing that you hear, you know, we’re all very, very –, I think we’re all very tuned to the idea that there is a laugh track. So when you don’t hear it, maybe it sounds like there’s a blank space. But in reality, there isn’t a blank space. It’s just that I think we’re all so primed to hear it that if we don’t hear it, it sounds like it’s wrong. But no, nobody ever did anything to try and time the dialogue to a laugh track.

RYAN: So I have a question for you, Jeff. What is your take on the laugh track? I mean, it’s one thing when a show is filmed in front of a live studio audience, obviously the laughs are gonna be very natural and come at the appropriate times, hopefully. But on shows that were not filmed in front of an audience and they would put the canned laughter in, what was your take on that practice?

JEFF: That’s a great question. I don’t think I’ve ever been asked that. So I’m gonna have to really flip around and see if there’s an answer in my head about it.

RYAN: [laughs]

JEFF: I guess I’ve grown up with it. So I’m not as big a purist as I think everybody else might have been connected certainly with MASH who objected to it. I think because it’s a way to force people to think that this is something funny with – instead of actually doing something that’s funny so people will laugh. The psychology behind the laugh track issue is very deep and I think riveted in network beliefs about how to hold on to an audience and the reason they want to hold on to an audience is so that you’ll sit there and wait for the commercial because that’s what pays the bills. So I think that their concept is really steeped in a very serious culture of belief that the laugh track will do that. And by hanging on to the audience, they’re going to be able to sell you more dog food and I think they think that laugh track is part of that experience. I don’t know that. I’ve never been head of a network so I could be full of baloney. But just from my experience in being here in Los Angeles for a number of years, I think that’s probably part of it. But I personally kinda don’t care if there’s a laugh track there or not. I didn’t write MASH and if I had written MASH and if I had been a genius like Larry Gelbart I would have probably been offended that somebody would make the laugh track [fake laugh]. But I’m not a genius like Larry Gelbart so I’m not quite as offended by it. I don’t pay any attention to it, frankly. If I like a show I watch it and if it amuses me I hang in there with it whether there’s a funny stupid canned laugh track or not. Quite frankly, I sometimes object to the audience laughs. I have been to tapings of – I’ve been part of shows, I’ve acted in shows that have a live audience. And I think that they push the audiences to laugh kind of even harder than the laugh or the joke deserves. So some of that is all kind of, you know, manipulated and we’re all audiences and we’re all in a certain way manipulated by that process. I’ve sat in and –

[George squawking]

JEFF: Oh, that’s my bird. I’ve sat in – Either that or they’re slaughtering the hogs out there. I don’t know. Are you slaughtering the hogs, Ben? No, I’m not. Okay, never mind that. So, what was I saying? Who am I? Oh, wait. I’ve sat in reading, so when you get to, you’re going to do a taped show and you’re going to rehearse it and there’s going to be an audience later on, but they go through the table reading and the writers will go [laughs] they’ll laugh like crazy and it’s not that funny, but the writers are going to laugh because they want everybody else to think it’s funny, so they laugh and scream and slap their knees. So I don’t know. You know, I think when it gets down to it and it’s on television and you’re sitting there with your spaghetti and meatballs and you want to watch something, if there’s a laugh track and somebody’s laughing, it may or may not affect you. But you may think whatever you see is funny. So you should have the right to laugh at it and feel good about it. Or if there’s a live audience and they laugh and you should have the right to laugh along with them. I think it’s a real personal thing. [sighs] I gotta nap now. I’m really tired.

JEFF: So do you think we should then add a laugh track to this podcast?

RYAN: We definitely need a laugh track. Please let’s get one. Yeah. Oh yeah, definitely. Oh, wait a minute, in lieu of a laugh track.

[bicycle horn]

RYAN: Hey, it’s back, all right.

JEFF: We can’t afford the laugh track, but

[bicycle horn]

RYAN: I think now would be a good time.

JEFF: To nap.

RYAN: To play a voicemail. I think it would be a good time to play one of our voicemails. We’ve had a couple of them come in.

JEFF: I like that idea, yes.

RYAN: This is one that came in. We asked people to kind of share their stories, their connections with MASH, and here is Grant’s story.

Voicemail from GRANT: Hi, my name is Grant. I live in Maryland and I’ve been a MASH fan – I am 47 years old and I grew up watching MASH with my father who loved the show. My father passed away in 2010 but I still watch it. I got my wife into it. I’ve been with my wife for 24 years and I got her into the show and we followed it on Facebook and we just love the show so much. If I had to pick a favorite episode, I just listened to your podcast three. My favorite episode would probably be when the corporal thought he was, I’m sorry, I think he was Captain, he was Captain Christ, and he thought he was Jesus Christ. And I think the best part is when Major Sidney Freedman asked him, does God answer all prayers? And he says yes, and he said sometimes the answer is no. And that really hit me too because I am a Catholic and I really, it really kinda like, you know what? That’s probably why some of my prayers are not answered. The answer is no. So I guess that was one of my favorite episodes. I think my wife’s episode, Deal Me Out, we’ve watched a million times. Just the fact that they play poker all night and all the things that go on in a matter of the night but we really enjoy this podcast, we love you guys. Igor we love you as always. You were a special server in that mess tent, we love the show, we will continue to watch for many years to come. Thank you guys for starting this podcast and on behalf of everybody that watches MASH, we love you guys and we will continue to watch. Thank you

JEFF: Well, that was about as nice as it could get. How sweet.

RYAN: Yeah.

JEFF: That’s very, very sweet.

RYAN: So thank you, Grant, for calling in. That was a really nice story. And hey, that’s what we want to hear. We want to hear you tell your stories about your connections with MASH and your favorite episodes and why they’re your favorite episodes. So that episode, Quo Vadis, Captain Chandler from season four, written by Burt Perletsky and directed by Larry Gelbart. Yeah, it’s a fantastic story. And that moment that really resonated with him, is a moment that resonates with a lot of people.

SIDNEY: Tell me, is it true that God answers all prayers?

CAPT CHANDLER: Yes. Sometimes the answer is no.

RYAN: We have another voicemail we’ll get to here in just a minute, but so many questions coming in. If somebody is saying, hey, how can I get my question in? Well, there are several different ways. You can email us through our website, which is MashMattersPodcast.com. You can hit us up at Twitter, @MashMatters. Facebook has really been popular with people sending in messages and posting questions. Or you can leave the voicemail 513-436-4077.

JEFF: Cool.

RYAN: So tell you what, Jeff, we’re kind of running out of time here, but there’s one more question here that we can talk about, I think, which is a message that came in from Chris Armstrong. You want to read that one?

JEFF: Chris Armstrong. Let me see if I can find Chris Armstrong.

[dog barking]

RYAN: And that’s my dog in the background.

JEFF: Oh, that’s your doggy in the back. Doggy, doggy, doggy. What kind of doggy is it?

RYAN: He’s a mutt and his name is Walter, as in Walter Eugene O’Reilly. His full name is Walter Eugene Patrick.

JEFF: Aww. I found Chris Armstrong. “Good morning Mr. Maxwell.” Aww, that’s very nice of you to call me Mr. but please call me Mr. “I am a fan of MASH and probably have seen most, if not all of the episodes several hundred times”. You know Chris, you ought to get a job or something. “I joke with my wife and asked her if she’d ever seen this episode presently watching, although I think that joke is getting old. [fake laugh] Ok. “I got hold of the cookbook you wrote, Secrets of the MASH Mess, and thought it was very ingenious”. Thank you! I thought it was pretty good, too. “The cook from MASH writing a cookbook must have been a huge undertaking”. Thank you. “There are a couple of recipes I could not find in there. For instance, Igor’s Has Beans, where you tell Hawkeye these beans are so old, they are has beans, and Hawkeye’s French Toast when he was a cook for the day. Anyway, love the book. Looking forward to trying some of the recipes. Best regards, Chris”. Chris Armstrong, thank you very much for saying all that stuff. You know a couple of recipes I couldn’t find in there. Igor’s has beans. If I left that out, I was an idiot because that’s a great – that was a great recipe I should have put in there. So thank you for pointing out my failings. Do it any time. But I will try and write a sequel and the first recipe in that book is going to be Igor’s Has Beans and the second one’s going to be Hawkeye’s french toast. And that’s because of you, Chris Armstrong.

RYAN: We haven’t really talked about the book that much. The cookbook that you wrote, Secrets of the MASH Mess, now it’s no longer in print. Is that correct?

JEFF: That’s correct.

[Walter barking]

RYAN: But I mean, it still is available out there. You can find it on eBay and you can find, I think there’s even some resellers on Amazon. So you can find the book.

[Walter barking]

RYAN: It is out there and I’m very sorry about my dog in the background.

JEFF: Aww, no.

RYAN: It must be an intruder trying to break into my home right now. That’s all I can guess. Or a leaf just blew across the yard. It’s one of those two.

JEFF: [laughs] I think Walter heard my bird and wants to eat my bird. That’s what’s happening. They may be talking to each other.

RYAN: So the cookbook is still out there, but we haven’t really talked too much about it. But that, I think we can talk more about that in a future episode. It’s just why you wanted to do the book and kind of the story behind the book. One of my favorite stories that you’ve told me was a great story about how Larry Gelbart helped you get the book published. I would love to hear you tell that story someday. Another thing we can do maybe sometime is put some of the recipes from the book maybe on the website so people can try them out.

JEFF: Sure. The book – there’s over about 250 recipes in the book. It really is a viable cookbook. It’s not just a joke. There are great recipes. I spent a lot of time. My wife and I actually spent a lot of time creating those recipes and going to different people, real top chefs to create them, but they just have funny names, but they’re really, really delicious and I make ‘em, we still make ‘em and eat ‘em. So I recommend it. If you can find one, I recommend getting it and trying some of the recipes. They’re really fun and they’re really good.

[Walter barking]

JEFF: So if you’re a MASH fan and you like to eat creamed weenies, you can find the recipe for creamed weenies in there and it’s pretty good.

RYAN: Hold on a second. [walks away] Walter! Walter! Knucklehead! [returns] I love my dog.

JEFF: [laughs]

RYAN: I love my dog

JEFF: I don’t think you cut this out.

BOTH: [laughs]

JEFF: I think you’ll leave you in there. Walter! Walter! Anyway. There you knucklehead.

RYAN: So, okay, we have one more voicemail to play here. Here’s the one from Corey.

Voicemail from COREY: Hi, my name is Corey. I live in Issaquah, Washington. And my question for Private Igor, Jeff, do you have any plans in the future to do anything along the lines of – I don’t know, MASH history, MASH this, that, or the other thing, anything that brings it forward. Are there any plans? Do you have any plans to do something like that or are the other people that are involved? Thanks, loved your show, loved you. You are a fantastic person, man, thanks.

JEFF: Aww, is he talking about me?

RYAN: I think so!

JEFF: Oh, well, Corey, thank you very much for that. I appreciate that, thank you very much. Gee, any plans to take this forward? Well, you know I haven’t announced this thing – I know you and I, Ryan, we wrote a spec script where we – we reset MASH in Alaska and we’ve renamed it MUSH so that may be something that everybody will get excited about it may not be but i’m sorry should I not have said that

RYAN: Now we’re gonna have so many people clamoring to purchase that script I don’t know what we’re gonna do you know. I’m not but the bidding war No, MASH history…

JEFF: Well, you know, I think we’re doing that.

RYAN: Exactly [laughs]

JEFF: I think we’re doing that actually. So Cory, yes, we do have plans to do it. Our plans are to keep doing this and keep listening because you’ll hear more and more stuff about MASH, its history and its future.

RYAN: And you know, a couple of people have asked us because we had the interview with Marc Freeman in the previous episode, and some people have asked, are you going to have other people from the show on? And the answer is we hope so. That’s kind of the plan is – you know, maybe down the road, having more people from either behind the scenes or in front of the camera come on the podcast and be our guest and talk more about the history of MASH. That’s what this podcast is all about is over time, episode after episode to be an oral history of the show. Not only for the people who love the show, but also to reintroduce or to introduce the show to people who have never watched it before.

JEFF: And you know, let’s say down the road that we have an opportunity to talk to one or more of the writers. So if we have a writer or several writers as guests on the show, I’m very curious as to what our listeners would like to ask them. What do you want to ask the writer of the show? I mean, we want to ask Igor if the food was really good, but you know, these guys wrote all these episodes over 11 years. So what’s your burning question to ask a writer. And when we have a writer on the show, we’ll ask the writer. Hey, that sounds like a new podcast: “Ask The Writer”

RYAN: And you can email us those questions at a mashmatterspodcast@gmail.com. You can find that through the website or call and leave your voicemail 513-436-4077. Jeff, I think we’re –

JEFF: Is that it?

RYAN: We’ve pretty much reached our time limit for this episode. We have more questions to get to and we haven’t even gotten to the reviews, but you know what? We’ll save those for another time.

JEFF: Yeah

RYAN: And I would just say if you have not left a review yet on Apple Podcasts or there’s another way to leave a review, which is on our Facebook page. And we’ve had several people go onto our Facebook page and leave ratings for the podcast. So if you’re not on Apple Podcasts and you still want to leave a rating, you can do that at our Facebook page. Just search for MASH Matters podcast on Facebook and you’ll find us. But we appreciate everybody who has left a review online for us and we will read some of those in upcoming episodes.

JEFF: Hey Ryan, we’ve had fun. I’ve had fun and I’ve enjoyed Walter very much. So please pet Walter for me [laughs]. And I look forward to our episode number six.

RYAN: Yes, me too. And hey, um, in the last episode I said, Hey, we need a name for MASH fans. And my friend Joe Swank, who sent us the question about Alan Alda and the Groucho reference, he came up with a pretty good name and I’m just going to throw it out there and see if the people like it. How would you feel about MASH-kateers?

JEFF: [laughs] MASH-kateers [laughs]

RYAN: Just let that one simmer and we’ll still take submissions. What should MASH fans be called? But there’s the first entry, MASH-kateers

JEFF: Okay, I want to make it clear for the Disney Corporation, when they sue us, please call Ryan Patrick. We’ll post his telephone number and his address.

RYAN: That’s true. Yeah, we may not be back for episode six at this point. We’ll find out. Stay tuned and see but yes, that’s our first entry. So until next time, MASH-kateers

JEFF: Miska, muska, MASH-kateer! Yeah, I like it. I don’t like it. Please give me a big glass of beer. I like it.

RYAN: All right. All right. We’ll see you next time.

JEFF: Okay. Bye-bye.

Transcripts by Checkmate Editing Services

 

Jeff & Ryan welcome writer Marc Freeman (no relation to Sidney) to M*A*S*H Matters. Marc wrote the excellent oral history of M*A*S*H for The Hollywood Reporter that went viral in early 2018. Topics include practical jokes on the set, Jeff’s crossed eyes, a visit from President Ford, and being welcomed into the M*A*S*H family. Plus, you’ll never guess which Hollywood icon gave Marc his first swimming lesson…

M*A*S*H Notes:

Jamie Farr will narrate ’Twas The Night Before Christmas at a big holiday concert in, where else, Ohio.

Alan Alda lends his voice to a new HBO musical, The Emperor’s Newest Clothes.

See the cast of M*A*S*H in their first ever screen roles!

Follow Marc Freeman on Twitter.

 

Connect with Jeff & Ryan

Visit our website: www.mashmatterspodcast.com

Like MASH Matters on Facebook

Follow MASH Matters on Twitter

Email questions, comments, show ideas, and more to MashMattersPodcast@gmail.com

Call and leave a voicemail at 513-436-4077

Subscribe to MASH Matters on Apple Podcasts and Google Podcasts. And please leave us a five-star review!

 

 

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TRANSCRIPT: MASH Matters #004 – A Visit With Marc Freeman

Attention all personnel, incoming podcast, this is MASH Matters.

JEFF: And welcome to MASH Matters. This is the fourth episode of this monumental podcast that is all about your favorite television show, MASH. And it’s certainly, well, it was kind of my favorite television show. It was certainly a job, but we’ll get into that in just a minute. I’d like to introduce certainly my partner in crime here. My name is Jeff Maxwell. I did play the role of Private Igor on the show MASH. I used the “roll” lightly. It was more like a biscuit. But anyway.

RYAN: Yes [laughs]

JEFF: Thank you. Anyway, my partner here is Mr. Ryan Patrick. Ryan Patrick is an esteemed broadcaster, a marketing genius, an actor, a director, a bon vivant, and man about town. Mr. Ryan Patrick. How are you today?

RYAN: Oh, are you talking about me?

JEFF: Yeah, that Ryan Patrick, yeah, you, the other guy.

RYAN: That description, I was listening to it, and I thought, wow, that sounds like a really cool guy. I’d like to meet him.

JEFF: Show business legend.

RYAN: [laughs] This means I’ve been to a lot of movies.

JEFF: You are an accomplished actor. You might as well let people know you are an actor, and you’re in plays, and you direct plays, and you are on the radio, and now you’re doing this podcast. We are lucky that we are all here and doing this.

RYAN: It’s true. That’s true, yes. And hey, and guess what? We actually found somebody who wanted to be on the podcast with us this time.

JEFF: Agreed to do it, surprisingly. Surprisingly. This is our first guest, Ryan Patrick. This is exciting.

RYAN: Yes, it is exciting.

JEFF: This is very exciting.

RYAN: And we don’t even owe him money.

JEFF: We will after this is over.

RYAN: Well, let’s introduce our guest. This is Marc Freeman. Hello, Marc.

MARC: Hello. How are you? And you?

RYAN: Fantastic.

JEFF: We appreciate you being here. We appreciate us being here. We appreciate you being anywhere, really. It’s very nice of you to have agreed to be our first guest. We don’t know exactly whether we’ll have a second guest. But if things go well, maybe we will. But thank you for being here.

MARC: Well, thank you for having me. And I hope for all the other guests that come after me – well, if they come after me based on how I do today, will have as good a time as I anticipate having with both of you.

JEFF: I suppose it would be helpful to introduce why you’re on the show. Not only are you a very nice guy, but you happen to be an accomplished writer and you wrote a wonderful article which I’m sure some of our listeners read, if not all of them read, that appeared in… Where did it appear? Where? Appeared in the Hollywood Reporter.

MARC: Hollywood Reporter

JEFF: I’m kidding. It appeared in the Hollywood Reporter and it was a great in-depth article about the wonderful show MASH and it had great interviews from all of the cast members, the writers, producers and everybody that you could get your hands on, including yours truly. I got in there a couple of licks, so I thank you very much. But you did a terrific look at a show that people had not done in a while and so I think it was a wonderful journey that everybody who was a fan of MASH could take and learn something new, not only about the show but about the people who are actually talking to you so that was really cool. Can I ask you what – well, I’m going to ask you. I don’t have to ask permission. I’m just going to ask you. How did that come about? How did you get that idea to do an article about MASH?

MARC: Well, it kind of came out of, and it’ll make sense in a minute, but it came out through – I did an oral history of the Smothers Brothers because I was exploring political satire on television based on the times that we live in and I wanted to look at the birth of it and how it developed. From that and based on the reaction from that, I was told what other shows would you want to do. And also, in my mind, I had already been thinking of the journey through All in the Family, MASH, SNL, other shows that had touched on very salient, important issues, but also could bring the laughs. And so MASH came up right away because I just grew up on MASH. I was like everyone else apparently listening to the show. And I knew that it was the anniversary of the last episode, which was from ‘83. So that made it – was that 35th anniversary of that episode airing. And so I just thought I’d test the waters, put my little feet in the water, stick a toe in the water and see if I got a response from the MASH people. And quite the response I got, I have to say.

JEFF: Who did you contact first?

MARC: Well, that’s interesting because there’s two ways you can go with these stories. You can go bottom up or top down. And if you go bottom up, you go to the “star star” and you say, I have everybody who has ever been associated with this show. And it, but it won’t have any depth unless you’re there. But on this one, for whatever reason, I started with Alan Alda. And I think in my head, I was thinking, well, if he doesn’t do it, what’s the point? Um, I’ll jump off a bridge, but he said, he said yes right away. And that, then that just surprised me. And then, but, but from that, I could then start going to other people and say, Alan Alda agreed, and then people would jump on obviously. And the MASH family is, is that. It’s pretty amazing actually. I’ve only witnessed that maybe on one other show, but it’s like this family. And so I got adopted into the family and passed around and everyone was just amazing.

JEFF: When you say family, what was it that gave you the sense that this was a family? What happened?

MARC: Well, sometimes it was small things, you know. It would be like people mentioning other people that they had just spoken to the other day or that they see all the time, and “I was just on the phone with”. And so on that level is just, oh, they keep in contact with each other and that’s kind of nice. But then it would go to depths of stories I would hear the of things people would do for each other when people were going through rough times, more emotionally in life stuff, not like financially. And then just the way that people talked about the experience kind of being a defining experience, not just in their professional career, but in a sense, in their life. Loretta Swit and Mike Farrell are somewhat the parents of this thing. They’re very protective of MASH and its people and they talk about it and I don’t want to say control it, but they keep the family together. It’s kind of the Mama and the Papa, at least from my perspective, what I see. And that came across when I talked to them. I called Mike Farrell’s agent, I think it was, and figured, well, I’ll hear from him in a couple days and set this all up. Five minutes later, he called me. I think we talked for like two hours. I was taping it. I was smart enough to do that. He was just so enthusiastic about the show and everything about it. He’s such a great guy. We picked up several more times about that. I taught him a couple things on the computer, I was trying to send him the tape of our interview, I think it was, and he was trying to send me a poem that he had written about the show, kind of a more freeform thing. And so, I don’t know, did I answer your question or was that just like battling away?

JEFF: [laughs] No, I’m always interested and we started out this podcast kind of talking about that. Because starting from the idea that Ryan is a great fan of the show and I necessarily wasn’t a great fan of the show. I became part of the family and it became a very significant part of my life, but I didn’t start out being a fan of the show because I wasn’t watching it that way. I was watching it and like Ryan has said, I was looking at it in segments. So you go in and you do something for 20 minutes and you sit around and get a sandwich and go back and do it again. And that didn’t create that kind of a bond that I think everybody else got when you watched the half hour from beginning to end. So hearing how you got the feeling that this was a family, which it definitely became, is an interesting thing. And I’m hearing certainly Loretta is kind of the Mama Bear of the show. And it’s interesting that Mike took on that role because he came in about four years after the show started, but it was a significant enough thing to him that he really bonded with it and kind of became the Papa Bear of the show as well.

MARC: Yeah, yeah, you know, what was interesting in his story or journey to the show was he recognized the level and quality of the writing prior to when he was on the show. And he had told me some story about, I think he was going – I don’t remember if it was a double date or they were out, going somewhere, and he went to this guy’s house and MASH was playing there and he kind of, out of the corner of his eye, was watching some of it and I believe asking about it and basically got to the point that when he’d be presented scripts he’d say “well you know it’s an okay script but it’s not MASH” even though he wasn’t on the show and he wasn’t even up for the role. Wayne Rogers was firmly entrenched but, you know, it was kind of a dream I guess of his to suddenly out of the blue get called and told that what they’re thinking that Wayne might not be coming back. We don’t know for sure, but we want to have all of our ducks in a row. And would you be interested in testing for this and so on? He just seems so grateful, respectful of the show before he was on, grateful for being on and protective after having been on the show.

RYAN: So this article – the title of the article by the way is called: MASH Finale: 35 Years Later, Untold Stories of One of TV’s Most Important Shows and it was in the Hollywood Reporter and I believe it was shared and read by just about every MASH fan in the world on social media. And we will share a link to the article in the show notes as well in case you’re the one MASH fan who did not read it. I’m fascinated by these kind of articles, these oral histories, because it’s written in such a way that you have little snippets under different themes. And what I’m hearing you say is these interviews that you were doing with cast and crew and the writers and everybody, some of these interviews may have lasted a couple of hours. How do you go through then and decide what to take and what to leave out?

JEFF: That’s where the line comes in. I have to do the transcript. So, you know, it’s like the master files of everybody’s conversation. Then I pull from each of their conversations, what I think are the best things they’re saying, which I know will be cleaned up. And I put that into a file and then I don’t want to lose that file. So then I take that file and I break it down. And what I’m doing as I’m going from file to file is I start to categorize things that are, oh, here are all the people talking about favorite episodes or here are all the people talking about practical jokes or censorship, I mean, areas of conversation that I had brought up. And then you get to that point where you realize part of the unfortunate thing in articles like these is you’re often given a word count. So it’s not the life of the piece deciding how long it is. It’s the life of being told how long it’s going to be. And so you have to start whittling down. And then the killer part is if I’m going to randomly say, if it’s a 5,000 word article, and you’re at 7,000 words and you realize, I really like it at seven, but I know I gotta cut it down to five, which means I basically gotta cut almost 30% of where I’m at now. And that’s where the hard cuts are because there’s a lot of great stories that never make it or see the light of day, such as with MASH. There’s so many stories that are there and more that I could have delved into if I had gone even deeper and had the time.

RYAN: So was there any story in particular that you wish you could have included that you weren’t able to?

JEFF: It was all about me, wasn’t it? Something about me?

RYAN: [laughs]

MARC: Yes. Yes

JEFF: Something about me and I don’t know, there were animals involved or I don’t know.

RYAN: The oral history of Private Igor is the next article [laughs]

JEFF: I was, I pretty, you know, I splayed my guts open to you. I did. I told you the truth from everything and I don’t, you know, some of it I didn’t see in there. That’s okay..

MARC: That’s for the oral history of Jeff. That’s a different article. So a couple come to mind and the simple reason became length because there was no way to give a truncated version of the story. There’s the – what was referred to until Mike Farrell gave me the whole thing. It was called the Attenborough story, as in director Richard Attenborough. There was a practical joke played on all of them by David Ogden Stiers who apparently liked to play a lot of jokes. This is prolonged in the sense, if you want I can tell you the story now.

RYAN: Please, yes, please do.

JEFF: Yeah

MARC: All right, settle in, kick up your feet. It was lunchtime in the commissary and Harry Morgan, Jamie Farr, Mike, I think one of the cameramen and a crew member, they were sitting at a booth shooting the bull as Mike called it. And he said, the end of the meal, when they’re finishing up, this line of waiters comes over with this fancy new dessert in this soft serve – It’s a soft serve yogurt in these fancy goblets. And they kind of make a big deal and a big presentation about it. And when they’re done, they say “compliments of Sir Richard Attenborough”, who was shooting a movie at the time on the Fox lot. So it just happened to be at that moment that they notice at another table, Sir Richard Attenborough. And he’s eating with a group of people probably from whatever movie it was he was working on. And so everybody at the MASH table booth turns and they wave to him. And they say, you know, “thank you, Sir Richard” and so on. And they don’t get any kind of response. And he’s on – he’s across the room. So then they kind of do it again, a little louder. “Thank you, sir, Richard. Thank you, sir”. And he again ignores them. And then Harry Morgan stands up and he yells and he says, “thank you, Dickie”, in a big voice, bigger than what I just did. He was like, “thank you, Dickie”. And then again, like no response, maybe a weird glance. And then Mike kind of is looking around the room and he sees in a corner David Ogden Stiers is just laughing, just laughing and laughing. And he realized in that moment what exactly had happened and that they’d all been had. And so he said, he was telling everyone at the table, okay, you know, we got to – let’s bring this down. But he wanted to get him back. So – in the moment, he wanted to get him back – so he then tells the waiter to take the cheque for everything and give it to David. So they bring the cheque over to him. And David, a few minutes later, he’s leaving the commissary and Michael kind of runs up to him and says, you know, I didn’t really mean for you to pay for the meal. I just wanted, you know, to get back at you in some small way for humiliating us. And he says, “Oh, oh, it’s okay. I signed Gary Burghoff’s name to it”. And–

RYAN and JEFF: [laughs]

MARC: So and then of course, you’re gonna think the story’s over. But no, there’s more to the story and you can see how long the story is, which is why it never made it in. So Gary’s not working that day. So Mike kind of realizes that he’ll have to explain to Gary what happened with the bill and the next morning they’re shooting some scene, I believe it was in the OR. And he talks to Gary and he arranges this thing to get back at David with Gary. And he says, I want you to come in really angry about the bill, and I want you to have death in your eyes, and you’re gonna kill me. And we’ll do all this, and David, he’ll have to come in and chime in and confess and so on. And so Gary is totally up for it, and they’re doing the scene, and I think Loretta and Jamie are in the scene, and he just bursts in, and he starts yelling. Then he’s like, “you son of a bitch, you had no right, how could you?” And he’s chewing right and left, everybody out. And then one of the two of them said, “let’s take this outside”. And so they said, “sure!” And they storm off the set and they go off and they’re like kind of gesticulating off to the side so nobody can really hear what they were saying. And I guess David comes running around the corner at this tough point when he realizes what’s going on. At that point, Mike has Gary by the collar and he’s lifting him off the ground and Gary’s like shaking his arms and legs. And then of course they reveal, you know, he gets paler and paler and he sinks to his knees and then they just start cracking up and then he realizes what happens and he said something like, “never again, never, never again.”

RYAN and JEFF: [laughs]

RYAN: Oh man, that’s great. That had to inspire one of the episodes of the series. There was an episode, I believe it’s season seven, An Eye for a Tooth, where Winchester orchestrates a series of practical jokes between Hawkeye and BJ and Margaret. One of the jokes is that a pie is sent to Margaret on behalf of a handsome chopper pilot and suddenly there’s a big to-do about it. It sounds to me like this whole ordeal inspired that plotline

MARC: You know, that’s a very interesting point and even put that together there was no the episode i was thinking of if i have my episodes right was Preventative – I think it’s Preventative Medicine, it’s the one where BJ and Hawkeye are trying to see who can best each other in terms of practical jokes because – and Jeff you would know this more than anybody, like I was told there were a lot of practical jokes on set which is what inspired that episode and that was making me think that’s what came to mind first when I was thinking about this, but I hadn’t even thought about that. You’re a very wise man.

JEFF: Yeah, there are a lot of things on the set that inspired and I’m sure you could talk to some of the writers. I know you talked to Ken Levine and so forth, but a lot of things that happened with individuals and with people and certainly even the writers would throw in their own stuff that happened to them into the plot lines, but a lot of things that happened on the set kind of wound themselves into some of the stories as well. It never stopped.

MARC: I have to make one correction too. It’s the Joker is Wild. It wasn’t Preventative Medicine. It was the Joker is Wild, which grew out of the jokes on the set. Some MASH fan would want to kill me.

JEFF: Yeah, and speaking of being a MASH fan and being on the set, you reminded me of a story you told me originally that I’d forgotten, that we met a long time ago when you were just a wee boy.

MARC: This is very true. So my dad – we moved to California, my dad worked in marketing for film. And so he was on the 20th Century Fox lot at the time. And occasionally I would have the opportunity to bump into somebody or get in to watch something being done. I got to watch an Irwin Allen movie being filmed, not Poseidon Adventure, Beyond Poseidon Adventure, the sequel that nobody ever saw.

RYAN: Oooh [laughs]

MARC: In which I remember Sally Field improvising holding a handlebar and then shaking her hand because it was hot. So that’s acting,

JEFF: Wow. That’s big.

MARC: That is big. But what happens is, and David Isaacs, one of the writers on MASH, I wrote to him when I was a kid because I wanted to be a writer. And he wrote back and I always thought if I ever meet that man, I’m gonna tell him that. And when I realized, everyone was saying, oh, you talked to Jeff. And I was like, I get to talk to Jeff, this will be great. And I knew that’s the first thing I’m gonna have to tell him because on the set in between shots, I got to go to the MASH and watch MASH being filmed. It was the Nurses episode. I didn’t get to see the nurse throw the chocolate against the door, big vat of chocolate sauce in the helmet.

RYAN: Mmm hmm

MARC: But I was just watching set-up in different things. And Jeff was in his OR gear, all in whites. And he looked at me and he did cross-eyes, you know, all kids laugh at cross-eyes. So I remembered that and I’ve carried that with me for decades. And then I was like, I have the chance to tell Jeff that his cross-eyes impacted me and the rest of my life.

JEFF: Wow.

RYAN: It all comes full circle today, yes.

JEFF: Full circle! Warms my heart to hear that my eye problem really kind of bonded us.

MARC: Funny accident.

JEFF: You know, it was when I was there waiting for shots to be set up or whatever, I was really attracted to the guests because they were kind of standing there waiting for something to happen and usually it wasn’t terribly exciting when they were setting up a shot or doing something. So anything that a guest could see that was a little apart from the norm might be somewhat interesting to them, at least I thought. And so I would try and goof around and any audience that I found, I was on top of them immediately. So anybody that walked into the set, I tried to have fun with and tried to help them have fun because normally it was a little dull if something wasn’t going on really. So that was what, you know, I see a young kid over there and so I thought I could, you know, make a funny face and it worked. I’m glad.

MARC: But you ignored my brother because you did nothing to him.

JEFF: I didn’t like him very much. I, you know, you could tell right away. Nothing, we had nothing in common. Forget about him.

RYAN: [laughs]

MARC: I actually have one follow-up question on that, which you could elaborate on, because one of the things that came across in talking to people was on the Fox lot anyway, Math – MASH – Math.. that’s a different show. MASH became a destination point where a lot of people who were working on the lot would come visit. Occasionally, you’d have a Prince Charles come and visit, but that a lot of people would wander onto the set, invited or not. I know in certain instances, I was told one of Harry Morgan’s good friends was Ralph Bellamy and he would show up from time to time and that was somebody who was a buddy. But I think I was also told Jane Fonda was hanging around once. Not invited, just because she’s Jane Fonda.

JEFF: She adored me. She just adored me. I couldn’t keep her away from me. It was just hard. She’s a sweet girl.

MARC: Did you give her the cross-eyes?

JEFF: Well, exactly. That’s what happened. She just flipped. You know, I was able to meet President Ford because he was a board member. I think he was on the board of 20th Century Fox, but he came on and I was thrilled. I’d never met a president. And, you know, he was a very, very, very charming guy, as a matter of fact. And when you meet him in person, you could see why he was a good politician and why he was so appealing because he was a very friendly, appealing guy. He didn’t come across that way on television [laughs]. But boy, in person, he was a very engaging guy. And they took a bunch of pictures, and I have a friend who took a polaroid of President Ford and myself. And I took the picture into the dressing room, and I changed clothes, and I had something – I ran out or something, and then I came back in, and my outfit had been taken away, and so had the picture.

RYAN: Oh no.

JEFF: Yeah, somebody lifted my picture with me and President Ford, and I have no idea why they would want it, but they took it. If anybody’s out there and has that picture, I will give you a reward.

RYAN: I saw it for sale on eBay the other day.

JEFF: Oh yeah. All right. I’m bidding. I’m bidding.

MARC: Am I allowed to use – to be a potty mouth on there?

RYAN: Sure. We’ll bleep it out if we have to. Yeah.

MARC: Okay. Uh, because I have a story. It’s not just that I want to swear randomly. It’s a, it was the Gerald Ford visit. Uh, I was told that, you know, you had to get permission to approach him and he’d only kind of see one person at a time and that everyone was really quiet and the story is told to me, they said it was like a funeral and no one was speaking out. And they did the scenes but that after he left, Harry Morgan said in this loud booming voice, how come nobody yelled f*** in the last two hours?

JEFF: [laughs]

RYAN: [laughs] Oh my.

JEFF: I don’t f***in’ remember it that way actually. I kind of, I thought, you know, I, I think he was that was quiet. I think he was a really friendly guy. I remember it being quite, you know, raucous almost, I don’t know. Huh, interesting. Well, years go by and things are very different.

MARC: Friendly I was told. Yeah, I was definitely told friendly.

JEFF: Yeah, very friendly, very friendly. Interesting. I have to understand a little bit about your attraction to MASH. So when you were nine years old, were you attracted to the show at that point or was it just something to go see?

MARC: I – I was faithful. I wasn’t there the first year because I would have been a little too young at the time, but I think by about year three, I started watching and I was a devout Mashalik by the end. I told Loretta that in the TV Times of the LA Times for the last episode, MASH was on the cover and I had taken tracing paper and taken hours to trace every single person from that episode onto this one sheet of paper because that was the level of obsession. I remember Monday at 9:30 the most, but you’re doing school, you want to escape to a world. I don’t know why I chose to escape to the Korean War, but it was the people. I wanted to escape to the characters and I felt this kinship with them. And what you tend to find, at least for me personally, with shows that really mean something to you, you retain more of the show than you even realize. And when I’m interviewing people, when I was interviewing people for MASH, they’d start to say something and say, you know, “I think it was this episode where…”, and I complete the sentence. Not that I had researched that or even thought of it. It just, the episode popped into my head, very natural, because I had stored it away for decades. And, you know. It was, it was huge. It was one of the – it was, it was definitely a go-to and it was there all the time, in the awkward years as I was going. And, and on a sad note too, I mean, MASH was coming on – I was having my mom click channels from Monday Night Football, because my dad had just left the room and we were changing the channel. And in changing the channel and watching MASH come on, my brother came running in to say that John Lennon had been shot. And I, and I remember like, the whole thing going down, thinking, well, maybe he’ll make it, maybe he won’t. There were no details. I was not there when Howard Cosell, I think, announced that he had indeed passed away.  But I remember MASH being associated with that. There’s my one sad MASH memory, I guess.

RYAN: Wow.

MARC: But when you really like a show and syndication isn’t necessarily in your world as prevalent as it is now or instant on demand, the next week’s episode couldn’t come fast enough, you know?

RYAN: So you were a big MASH fan and we need to find a good name for MASH fans by the way. You know, like Star Trek has the Trekkies or Trekkers. We need a good – MASHers or I don’t know, something. Listeners, let us know what you think that should be. But you were a big MASH fan. So were there any particular episodes that stood out that resonated with you or maybe characters that resonated with you from your many years of watching?

MARC: I think. I wouldn’t say there’s any particular episode. The cast all kept going back to The Interview. You ask them their favorite episodes and you don’t lead the witness but a lot of them eventually I honed in on two or three shows for them because I would hear it over and over again. For me, I could go wherever the show went so in the later years when they did the POV episode or the Dreams episode which are either interesting cinematically or kind of pushing dark envelopes. That fascinated me, but they weren’t necessarily my favorite episodes. I think the relationships, the relationship of Hawkeye and BJ, the relationship of Frank and Margaret or them getting theirs, the evolution of Margaret, I think there’s – in the psychology, I’m not going to go all Freud on you. There was an element of like, you see the way Hawkeye and BJ connect and you kind of wish you have somebody like that in your life. I’m not saying I did or didn’t at the time, but you know, just somebody who really gets you, that you connect with, that is empathetic and supportive of a crazy situation that you’re in and that you have this bond and kinship which would go beyond or whatever. So the jokes they would play. Probably as a kid, I wasn’t as much into the flirting with the nurses thing until, you know, I got to around 12 and strange feelings started to come into my body. When Harry Morgan came on, it was a very different vibe than McLean Stevenson, similar to Mike Farrell, to Wayne Rogers. That was pretty amazing because then it opened up a whole new envelope to the show and different emotions because you’re responding to a different character and how they see the world. So I think the Old Soldiers episode that I do mention in the article,

RYAN: Mmm hmm

MARC: I think there’s an element of that where off-screen Harry Morgan is kind of summarizing his relationship with the actors while playing that role. I think that kind of connection – viewers to a large extent, the faithful viewers had with a lot of the MASH crew and felt that. So I don’t know if there’s – Guys supposedly love top 10 lists and everything. They always post articles about that online. I don’t think I could pull a favorite. I think there’s a lot of great episodes and there’s probably a couple in there that weren’t my favorite, but that’s okay. They were exploring and they were doing.

RYAN: Exactly.

JEFF: Do you think that your appreciation of MASH and these relationships as you discuss helped motivate you to become a writer?

MARC: I think… I think it taught me certain things, which were – I learned in time that when I was writing in my voice, some more fictional stuff, I had a very good ear for dialogue. And it was because I gravitated towards watching intelligent TV sitcoms: Mary Tyler Moore, Bob Newhart, MASH, All in the Family, where it was very natural dialogue. I don’t want to call it intellectual humor, that’s why I was saying intelligent humor. But hearing that all the time, you start to pick up rhythms of conversation, rhythms of jokes, a set of punchlines and rim shots and how to tell a joke without a punchline. I told Ken Levine and David Isaacs I was so excited to talk to them because growing up, there were two sets of writers that were pairs in cinema. It was Lowell Ganz and Babaloo Mandel who did Splash and movies like that. But I used to always notice them in the credit run. And similarly in MASH, I noticed for the time they were there and in part because they were a pair, I noticed Ken Levine and David Isaacs. And then I’d see them on Cheers and then I would see them on AfterMASH and Frasier. So they meant a lot to me without their ever even knowing it just on a credit roll, because I watched those things. I saw who was writing and it just was, and that’s why in general, it’s always exciting to me in these articles to talk to the writers because they’re the ones who put it out there, you know, they find the story, they write the story, and then they work with – everybody works together to put it out, but the writing process fascinates me and I’ve always loved talking to them and the MASH writers were and are great people like Dan Wilcox. I love Dan Wilcox, by the way and if Dan’s listening. I love you Dan Wilcox.

JEFF: He’s a great guy. Great guy.

MARC: And I love David Isaacs too. And I talked to David Pollock and Elias Davis and Ken Levine. I got to talk to Gene Reynolds which was amazing. And Alan too, talking to him and Mike about episodes they wrote. So there’s just so much there on that side of it.

JEFF: Well, it must be great fun certainly from being a fan of MASH and I’m sure you’re a fan of the other shows. I know you did a great piece on Cheers as well. So it must be really fun after all these years to be able to talk to all these people. I mean, that must be kind of a pinch yourself sort of moment, isn’t it?

MARC: Yeah. I mean, there are certain times where, and I know you won’t believe this, but it’s like, I get excited to talk to you. It’s like, I know, I know you, I grew up with you, and I’m going to get to call you and talk to you. And it’s that way – it truly is that way for everybody. And then there are certain times where the level is so high, I’m wondering if when I get on the phone, either I’ll sound like a first soprano or I won’t be able to utter words. I had a call with Steve Martin.

JEFF: I felt that way since we started this conversation, but anyway, go ahead. I’m sorry.

MARC: No, they’re just – And like I said, Steve Martin, for example, I was like, oh my God, and he was going to call me, so then I have to sit there and I’m waiting.

RYAN & JEFF: [laughs]

MARC: He’s going to call me in a three minutes. Steve Martin is going to pick up the phone and call me and say my name. And I would tell my wife these stories afterwards, because there’d be all these off the record stories and so on, but this one knack that I don’t know what it was in my line of questioning, but through all the different interviews I’ve done, I always seem to get people wanting to sing. And I got Rob Reiner to sing, I believe I got Steve Martin to sing, I can’t remember who else I got. I got some people on the MASH crew to sing and I was like, I don’t know why, what is it that I say that makes them wanna break out into song? I don’t know.

JEFF: Hey Ryan, do you wanna do the Jolson medley now or should we wait?

RYAN: We’ll save it, we’ll save it for the end, a big finish.

JEFF: Okay, all right. You know, I think what you’re talking about, I think that excitement is part of the magic of show business. It’s part of the magic that brought me into the world of show business and wanting to be a performer. Without that moment, that just explodes in your head and gets you excited that somebody’s gonna call you, you’re gonna talk to somebody, it wouldn’t exist because that’s what gives us the spark and the fun of this whole entertainment concept. Otherwise it’d just be kind of dull. Because I felt that as a kid, my big favorite guy was Jerry Lewis. And so as a kid, I grew up thinking, oh my God, Jerry Lewis is the greatest creature on Earth. And I went, I got to go to the set to meet him and I almost passed out. I mean, I just couldn’t breathe. It was like *gasping* “It’s Mr. Lewis”. It was very, very difficult to do. I’m glad I didn’t pass out. And he was very kind and he invited me back to the set and I used to go a lot and take my friends and they all go, wow, you know, Jerry Lewis. But without that excitement, I wouldn’t have done it and I don’t think anybody else would have either, I don’t think. I don’t think there’s an actor or a comic or a singer or anybody alive that hasn’t experienced that spark because without it, I mean, why do it? That’s the kind of the fun of it. As a human being, that’s what’s so enjoyable about it.

MARC: So let me ask you a question then.

JEFF: Yes!

MARC: So they say in general, it’s very important because of the time we put into our careers on a weekly basis to love what you’re doing and it makes the time pass and it fulfills you and so on and so forth. Clearly, you’ve loved what you’re doing, but when you were on MASH or say when you were on the Young Frankenstein set and so on, did you have those moments where – going back to the pinching – you pinch yourself and you’re like, I can’t believe I’m on the number one television show or the most highly acclaimed television – one of the most highly acclaimed in television history and I’m on a Mel Brooks set. I can’t, I’m on a Mel Brooks set. You know, what was that like? Did you get those moments?

JEFF: Yes, and Ryan and I have talked about this in terms of MASH. I did not get those moments on MASH. MASH to me was a job and I loved the job and I loved the people, but it was pretty much of a career and a job. Actually not necessarily a career because I was doing other things as well. So it was basically a job and again, I loved the people, but I didn’t get that pinch yourself moment there. I did, however, seeing Mel Brooks. That one – I grew up watching him. I didn’t grow up watching MASH. So he was a huge attraction to me because I was so enamored with what he did and his humor and how he did it. So he was magical to me. MASH was not magical. MASH was – I knew how they did the trick, so it wasn’t magic to me like seeing Mel Brooks was or seeing Jerry Lewis. So, yeah, and I keep saying it and I don’t want anybody to think that I didn’t love the show or love being there. I am grateful every single day that I had the opportunity to do it. And I am grateful every single day that I had the opportunity to work with such incredibly talented people. They influenced me a great deal and taught me a great deal. So that certainly is the truth. I loved everything about it, but it wasn’t that magical moment like seeing Mel Brooks. So when I was on the Frankenstein set, I was going, oh my God, it’s Mel Brooks! And I was pinching myself.

MARC: Which you remind me because I was on the Fox lot, I don’t think it was the same day as MASH, but I was on the Fox lot and in the commissary. Carl Reiner was in a corner, but Mel Brooks was at the head of a table and my dad had done the marketing – worked on the marketing for Silent Movie and he went over to introduce us and I had the same moment that you had with Jerry Lewis. Because I remember I couldn’t even really lift my hand. He takes my hand and he starts shaking it and he goes, “that’s right, that’s right, shake the hand, shake the hand”

ALL: [laugh]

JEFF: Yeah, it’s that magical moment and it’s just something that I love. It’s just a – It’s life, you know, it just feels like life. Now, Ryan Patrick, you have met a lot of people, I know, and who gave you that? Did somebody give you that moment?

RYAN: For me, I had the opportunity several years back when I was still working in radio, I had the opportunity to meet Bill Murray.

JEFF: Yeah.

RYAN: And Bill Murray to me, I mean, I grew up on Bill Murray movies, and Ghostbusters to this day remains my all-time favorite movie. And so I had the opportunity to go to a dinner where he was being honored. And when he walked in the room, I just about fell over.

JEFF: [laughs] That’s great.

RYAN: Well, the thing about Bill Murray is even though he’s invited, you never know if he’s actually going to show up or not. So when he actually walked in the room, there was like a big sigh of relief that he was actually there. But he was just kind of working the room and he walked over to me and I – I really honestly, it was one of those moments where I could not formulate any words whatsoever.

JEFF: [laughs]

RYAN: So I think I came out with like, “you’re Bill Murray, you’re funny” is what I think I said. But he was very gracious and very kind and took the picture and signed the autograph and everything. It’s a picture that I have framed on the wall here in my office. So that was the one for me.

JEFF: That’s cool. I love that. That’s what I think that’s the really cool part. That happened to me on the set of MASH actually. Once Sid Caesar came on it.

RYAN: Oh wow.

JEFF: He was just standing there watching some scene be shot and I started to fall apart because Sid Caesar is to me, you know, was the ultimate. Him and Jerry Lewis were like, wow. So I thought, and he was just standing there against, you know, leaning against the set just watching. Nobody was around him. So I thought, okay, I got to do this. And I was terrified. absolutely terrified and I walked over and I said “Mr. Caesar” [gibberish]  and he looked at me like he’d seen me a thousand times. He knew who I was – you know this guy was kind of you know, impressed with Sid Caesar so he was very kind and he shook my hand and then I went away but it was that kind of moment. I just think that’s – I love that about show business, I think that’s so much fun to have that magic

MARC: There is one more story I have to add to it. It’s not a MASH story, but it kind of goes in with what we’re talking about. Although I didn’t know what was going on, which was my swimming lesson with Steve McQueen.

RYAN: Oh, wow!

JEFF: It’s always a conversation grabber if I don’t know what to say in a group of people. We had just moved to California. and they had put us up at the Beverly Wilshire Hotel for a couple weeks while we were looking for a house somewhere. This is – “they” being 20th Century Fox. We were all around the pool and I was told Steve McQueen is out here. Steve McQueen is out here. And the Steve McQueen that I knew was from The Great Escape. So short hair, kind of like maybe slightly graying sideburns, machismo kind of guy. And I saw someone like that who was sitting on one of the lounge chairs. And I walk by as anyone would do, walk by, don’t look, walk by, don’t look. And that was fine. And then later on, I wasn’t really swimming at the time. I hadn’t learned yet. And I’m sitting there with my feet in the water and this really cool hippie guy starts talking to me, long scraggly hair, mustache and beard. And he’s asking me questions: do I swim and do I this and what am I doing there? And so on. As friendly as can be, probably, you know, every uncle you could hope to have. I’m having the greatest time and I go back to when we’re having lunch, we had a little table with an umbrella. I say to my mom and my sister and brother, I was like, you know, that guy over there, he’s so cool. He just started talking to me, me!  Little me. They go, you know that Steve McQueen, don’t you?

RYAN & JEFF: [laughs]

MARC: I said, what? I said, no, isn’t that guy? They said, no, no. He had offered to give me a swimming lesson. So then, after lunch, now I’m thinking, oh my God, I’m having a swimming lesson with Steve McQueen. He held me in his arms and took me out to the deep end and I was swimming, being held tightly and sweetly by Steve McQueen.

JEFF: Wow. Say that again slowly.

MARC: Yes, slowly and tightly and sweetly. If you go to IMDB or somewhere else, if you look up the movie, Enemy of the People, which is what I believe is shooting at the time. He was staying at the Beverly Wilshire because he, as told to me later, I think was separated from his wife. His son, who I believe is Chad, was around my age, who he was missing. And he was all scraggly for this Enemy of the People role, exactly as I described. And as a nine-year-old kid, I’m not going to recognize Steve McQueen unless he looks like Steve McQueen. So yeah, that was my brush with greatness.

RYAN: Wow.

JEFF: You know… You were nine and Steve McQueen gave you swimming lessons. You were nine when I crossed my eyes at you. You must have been an adorable little boy. For gosh sakes. Wow.

MARC: Nine was a seminal moment in my life.

JEFF: Yeah.

MARC: But I was a cute kid and then puberty hit and then it was all downhill..

RYAN: You peaked at nine years old, huh?

MARC: Exactly.

RYAN: Well, Marc, this has been amazing. I just want to start to land this plane here. I have a question for you. You know, this podcast, we call it MASH Matters, which by the way, the title was the brainchild of Mr. Jeff Maxwell, and I like it because it works on two levels. You know, we talk about matters that relate to MASH, but also we talk about why MASH matters. So I’ll kind of pose that question to you. And do you think that MASH still matters? And if so, why?

MARC: I would say that iconic television series and MASH is definitely that, will always matter because of the contribution that they made, not just on the simple level of entertaining us or making us laugh or taking us out of the horrors of the world around us for a moment, but that they impacted us on a pop cultural level, be it phrases that you remember, times in your life when you look back retrospectively or nostalgically. they stay with you and as I said, iconic shows do that. Some of the other small ones like Manimal probably don’t stay with you. But uh –

RYAN: [laughs] Our first Manimal reference. Yes.

JEFF: Well, Manimal matters too, you know, for gosh sake.

MARC: I’m going to do their podcast next week, by the way.

JEFF: Oh, yeah?

MARC: It’s just me talking to myself, actually. That’s what that podcast ends up being.

JEFF: It’s just a pod, actually. There’s no…

MARC: The shows that I’ve had the fortune of working on, Cheers and Frasier and Newhart Show, Smothers Brothers, All in the Family. They’re all important in their own way. MASH, some MASH people like the term, some don’t, but it did invent the “dramedy”, that term that Larry Gelbart really wanted of laughter and drama side-by-side, sometimes running right after each other or within the same scene or within the same joke and so on. So you could say on a very simple level, oh, MASH created the dramedy or the term that applies to that, the feeling of that. But like I said, I think on a cultural level, certain shows moved us in certain ways. And I know MASH was incredibly important to my childhood. I don’t know if I could wrap it up in a particular word or thought, but it was something that I had an emotional connection to, that I was crushed when it ended to, that I looked forward to week to week, that I reflected on afterwards, that I wanted to watch the repeats again to see if I got something else out of it. And in some ways, I’m sure that’s an escape, and in some ways it was entertainment, and in some ways it was provocative, but that’s kind of what important cultural things do to you. They think you do all the above and you retain them and you know where you were when and you remember what you felt like in those awkward years if you were a teenager or whatever. You’re going through a divorce or whatever. Wherever you are in your life, you can usually associate TV shows with that. MASH is one of those shows that generationally it can transcend. It doesn’t have to just be, well, those are the people who grew up at that time. The messages, the themes of the show, the deeper themes and the humor remain universal, which is why people say, and I was told time and time again, that people will come up to people such as Jeff and they will say, I love the show and now I watch it with my child or I watch it with my children, however that is. And so it just crosses generations because of the universality of the message and the hope and the humor I think is built in there.

JEFF: Very well put. You ought to be a writer.

MARC: I’m thinking about it.

JEFF: You might investigate that. You know, what can we expect to see coming next from you?

MARC: Um..

JEFF: All right, well thank you and that’ll be the end of the show. We appreciate you being here.

MARC: Good night!

JEFF: Good night everybody. No, I mean have you got something, are you cooking something up that we should be excited about?

MARC: I’m cooking some stuff up. I have stuff coming up for Vanity Fair and Hollywood Reporter. Next year, I plan to dive into another show or two whose name shall remain silent to protect the innocent and guilty.

JEFF: Absolutely.

MARC: But yeah, I’m looking forward to it. I will say not just because I’m on MASH Matters, but I will say that in terms of experiences that I’ve had in gathering information from people and getting to know people, MASH is definitely one of the, one or two best, if not the best. And I’m still in contact with many people who took the time, their time to give to me just because they’re such wonderful people. I didn’t wanna lose connection with them. Such as you, dear Jeff.

JEFF: Aww

MARC: And I’m just so grateful to get that chance to share their story with the world and to get to know some of these people personally and to get to pursue writing to do that.

JEFF: Yeah, great.

RYAN: So when you do have new articles coming out, how can people stay in touch with you, connect with you? Are you on social media?

MARC: I am on social media. I’m not like a popular social media person, but I am on social media. Typically I’ll say on Twitter when I have stuff coming out and in my little Facebook network, I will release stuff. You can also just from time to time pop my name in and stick it with Vanity Fair or Hollywood Reporter or any publication and my name will pop up with whatever is recent, current. But I like to keep moving, meaning I don’t like to be redundant in what I write or produce or the ideas I have, but I like to constantly be working on something and be percolating about how to present that to people. And in instances such as MASH, even though I’m going to take a little less credit in the end for this, to have the opportunity to present to the world things told in the voice by the people who were there and as they remember it, which also allows inaccuracies if they do exist because it’s memory. I think it’s so much more powerful than me saying, “and then Jeff felt this”. It’s like, I’d rather just hear Jeff saying this. And so to have people open up their lives and feel comfortable enough with me to do that, and then me to capture their words and be able to share that, I think It’s great that at any time you can go onto the Archive of the Academy of Television and you can listen to interviews from Larry Gelbart and Gene Reynolds and different MASH creators and so on. But for people who aren’t into necessarily visual stimuli, you can go online now and you can read a story about the history of MASH, which is very in-depth. Like I said, I have more stories anyway, but still it’s like it’s an in-depth look at, and I think it does a good job of capturing from the people who were there some of their thoughts and memories, which is so wonderful as a fan and a writer.

JEFF: Well, you did a really beautiful job with it, if I may say, and thank you for doing it, because it was just a wonderfully received piece of work, and I know you know that, so thank you for doing that. And my golly, you are just as adorable as you were as that nine-year-old kid. I mean, wouldn’t you agree, Ryan?

RYAN: Well, I think so, absolutely, even though I’ve never seen a picture of him in his life. But yes, I would agree with that.

MARC: I still wear the same OP shorts and the IZOD shirts. I still fit into them. No reason to change until they disintegrate I guess off my body, right? I’ll pull them on one time and they’re just like poof.

RYAN: Marc, I just want to let you know as we close up here, and I don’t think I’ve actually shared this with you, Jeff. Your article and the response to it was really the final motivation that I needed to reach out to Jeff and finally pursue the creation of this podcast. Obviously we have the MASH family to thank for inspiring the podcast, but I want to publicly thank you for providing that final push that led to the podcast’s existence.

MARC: Well, that makes me verklempt. I’m happy about that. I think that’s what the purpose of writing is, is to generate responses like that. I love to hear responses. Especially wonderful ones like that. That’s good to know that people feel impacted by and have a reaction to what they read. It’s all really a writer could ask for, I guess, in the end.

RYAN: Well, thank you very much for that. And thank you for spending all this time with us today as our first guest on MASH Matters. How was the experience?

JEFF: Yeah. How did it go?

MARC: Well, it went fine, except you didn’t sing. So the streak is about to be broken unless you break into song.

RYAN & JEFF: Ahem, ahem, mmm.

JEFF: [singing] Mammy, my little Mammy. I walked a million miles for one of the smiles of my ma- Okay, I’m not in voice today. I can’t do it without my lemon and honey.

MARC: You’re on key, though. You are on key. There’s another extra talent of Jeff Maxwell we did not know about. He sings.

RYAN: Hey, Marc, thank you so much. We really do appreciate it, man.

MARC: Well, thank you for having me. Anytime you want me, I’m- I’m probably just sitting here in front of my computer writing and ready to gab.

JEFF: Well, keep doing it because you do it very well.

RYAN: And listeners, you can write and gab to us. You can email us through the website, MashMattersPodcast.com. You can find us on Twitter, @MashMatters. Look for MASH Matters Podcast on Facebook. And you can call or leave a voicemail, 513-436-4077. Jeff, we got our first voicemail this week and we’re going to play that voicemail in episode 5 which will be coming in two weeks.

JEFF: A very exciting thing. Everybody stay tuned for that because that’s going to be a really exciting voicemail. Ryan, thank you.

RYAN: All right. Thanks, MASH guys.

MARC: Thank you.

RYAN: We need a name! MASH guys!

JEFF: Yeah. What’s a MASH guy? Mashies? Moishies? Moishie? How about Moishie? Nah.

RYAN: I don’t know. Let us know. See you next time.

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